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A Boal Companion: Dialogues on Theatre and Cultural Politics
Contributor(s): Cohen-Cruz, Jan (Editor), Schutzman, Mady (Editor)
ISBN: 0415322944     ISBN-13: 9780415322942
Publisher: Routledge
OUR PRICE:   $54.10  
Product Type: Paperback - Other Formats
Published: December 2005
Qty:
Annotation:

Theatre of the Oppressed (TO) is often referred to as a body of theatrical techniques. Yet this does not do justice to the rich contribution of Brazilian theatre director Augusto Boal, TO's founder and innovator of over 40 years.
"A Boal Companion" explores performative and cultural ideas and practices that inform Boal's work by putting them alongside those from related disciplines. Contributors in this anthology put TO into dialogue with complexity theory, Merleau-Ponty, Emmanuel Levinas, race theory, feminist performance art, Deleuze and Guattari, and liberation psychology -- to name just a few. In this way, kinship between Boal's project and multiple fields including social psychology, ethics, biology, comedy, trauma studies, and political science is made visible.
This collection not only expands the knowledge of TO practitioners and scholars but invites into TO those readers unfamiliar with Boal's work whose primary interests lie in one of the related disciplines addressed in these essays. The ideas generated throughout the collection will:
- Expand readers' understanding of TO as a complex, interdisciplinary, multi-vocal body of philosophical discourses
- Provide a variety of lenses through which to practice and critique TO
- Make explicit the relationships between TO and other bodies of work.

Additional Information
BISAC Categories:
- Performing Arts | Reference
- Performing Arts | Theater - History & Criticism
Dewey: 792.013
Physical Information: 0.48" H x 6.86" W x 9.68" (0.87 lbs) 224 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

This carefully constructed and thorough collection of theoretical engagements with Augusto Boal's work is the first to look 'beyond Boal' and critically assesses the Theatre of the Opressed (TO) movement in context.

A Boal Companion looks at the cultural practices which inform TO and explore them within a larger frame of cultural politics and performance theory. The contributors put TO into dialogue with complexity theory - Merleau-Ponty, Emmanuel Levinas, race theory, feminist performance art, Deleuze and Guattari, and liberation psychology - to name just a few, and in doing so, the kinship between Boal's project and multiple fields of social psychology, ethics, biology, comedy, trauma studies and political science is made visible.

The ideas generated throughout A Boal Companion will:

  • expand readers' understanding of TO as a complex, interdisciplinary, multivocal body of philosophical discourses
  • provide a variety of lenses through which to practice and critique TO
  • make explicit the relationship between TO and other bodies of work.

This collection is ideal for TO practitioners and scholars who want to expand their knowledge, but it also provides unfamiliar readers and new students to the discipline with an excellent study resource.