| When the Moon Waxes Red: Representation, Gender and Cultural Politics Contributor(s): Minh-Ha, Trinh T. (Author) |
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ISBN: 0415904315 ISBN-13: 9780415904315 Publisher: Routledge OUR PRICE: $47.45 Product Type: Paperback - Other Formats Published: August 1991 Annotation: In this collection of her provocative essays on Third World art and culture, award-winning filmmaker and theorist Trinh Minh-ha offers new challenges to Western regimes of knowledge. Bringing to her subjects an acute sense of the many meanings of the marginal, Trinh examines Asian and African texts, the theories of Barthes, questions of spectatorship, the enigmas of art, and the perils of anthropology. In one essay, taking off from ideas raised earlier by Zora Neale Hurston, Trinh considers with astonishment the search by Western "experts" for the "hidden" values of a person or culture, a process of legitimized voyeurism that, she argues, ultimately equates psychological "conflicts" with "depth," while "inner" experience is reduced to mere personal feeling. "When the Moon Waxes Red" is an extended argument against reductive analyses, even those that appear politically adroit. Feminist struggle is heterogeneous. The multiply-hyphenated peoples of color are not simply placed in a duality between two cultural heritages; throughout, Trinh describes the predicament of having to live "a difference that has no name and too many names already." She argues for multicultural revision of knowledge so that a new politics can transform reality rather than merely ideologize it. By rewriting the always emerging, already distorted place of struggle, such work seeks to "beat the master at his own game." |
| Additional Information |
| BISAC Categories: - Performing Arts | Film - History & Criticism - Political Science |
| Dewey: 791.430 |
| LCCN: 91-14059 |
| Physical Information: 0.58" H x 6.02" W x 9.21" (0.80 lbs) 264 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: In this new collection of her provocative essays on Third World art and culture, Trinh Minh-ha offers new challenges to Western regimes of knowledge. Bringing to her subjects an acute sense of the many meanings of the marginal, she examines topics such as Asian and African texts, the theories of Barthes, questions of spectatorship, the enigmas of art, and the perils of anthropology. When the Moon Waxes Red is an extended argument against reductive analyses, even those that appear politically adroit. The multiply-hyphenated peoples of color are not simply placed in a duality between two cultural heritages; throughout, Trinh describes the predicament of having to live "a difference that has no name and too many names already." She argues for multicultural revision of knowledge so that a new politics can transform reality rather than merely ideologize it. By rewriting the always emerging, already distorted place of struggle, such work seeks to "beat the master at his own game." |