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African Print Cultures: Newspapers and Their Publics in the Twentieth Century
Contributor(s): Peterson, Derek (Author), Newell, Steph (Author), Hunter, Emma (Author)
ISBN: 0472073176     ISBN-13: 9780472073177
Publisher: University of Michigan Press
OUR PRICE:   $103.90  
Product Type: Hardcover - Other Formats
Published: September 2016
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Social Science | Media Studies
- History | Africa - General
- Literary Criticism | African
Dewey: 079.609
LCCN: 2016010862
Series: African Perspectives
Physical Information: 1.6" H x 6.1" W x 9.1" (1.80 lbs) 460 pages
Themes:
- Cultural Region - African
- Chronological Period - 20th Century
 
Descriptions, Reviews, Etc.
Publisher Description:

The essays collected in African Print Cultures claim African newspapers as subjects of historical and literary study. Newspapers were not only vehicles for anticolonial nationalism. They were also incubators of literary experimentation and networks by which new solidarities came into being. By focusing on the creative work that African editors and contributors did, this volume brings an infrastructure of African public culture into view.

The first of four thematic sections, "African Newspaper Networks," considers the work that newspaper editors did to relate events within their locality to happenings in far-off places. This work of correlation and juxtaposition made it possible for distant people to see themselves as fellow travellers. "Experiments with Genre" explores how newspapers nurtured the development of new literary genres, such as poetry, realist fiction, photoplays, and travel writing in African languages and in English. "Newspapers and Their Publics" looks at the ways in which African newspapers fostered the creation of new kinds of communities and served as networks for public interaction, political and otherwise. The final section, "Afterlives, " is about the longue dur e of history that newspapers helped to structure, and how, throughout the twentieth century, print allowed contributors to view their writing as material meant for posterity.