| My Music Is My Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940 Volume 3 Contributor(s): Glasser, Ruth (Author) |
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ISBN: 0520208900 ISBN-13: 9780520208902 Publisher: University of California Press OUR PRICE: $31.63 Product Type: Paperback - Other Formats Published: May 1997 Annotation: 'This book joins the 'must see' list of exciting new historical work on Latin American music and identity...A successful combination of theoretical sophistication and empirical research that will hopefully find many imitators among students of Latin American popular culture.'--John Charles Chasteen, Latin American Studies |
| Additional Information |
| BISAC Categories: - Music | History & Criticism - General - History | Latin America - General - Music | Ethnic |
| Dewey: 780.896 |
| LCCN: 94009015 |
| Series: Latinos in American Society and Culture |
| Physical Information: 0.88" H x 6.02" W x 9.09" (1.04 lbs) 304 pages |
| Themes: - Cultural Region - Latin America - Cultural Region - Mid-Atlantic - Geographic Orientation - New York - Cultural Region - Northeast U.S. |
| Descriptions, Reviews, Etc. |
| Publisher Description: Puerto Rican music in New York is given center stage in Ruth Glasser's original and lucid study. Exploring the relationship between the social history and forms of cultural expression of Puerto Ricans, she focuses on the years between the two world wars. Her material integrates the experiences of the mostly working-class Puerto Rican musicians who struggled to make a living during this period with those of their compatriots and the other ethnic groups with whom they shared the cultural landscape. Through recorded songs and live performances, Puerto Rican musicians were important representatives for the national consciousness of their compatriots on both sides of the ocean. Yet they also played with African-American and white jazz bands, Filipino or Italian-American orchestras, and with other Latinos. Glasser provides an understanding of the way musical subcultures could exist side by side or even as a part of the mainstream, and she demonstrates the complexities of cultural nationalism and cultural authenticity within the very practical realm of commercial music. Illuminating a neglected epoch of Puerto Rican life in America, Glasser shows how ethnic groups settling in the United States had choices that extended beyond either maintenance of their homeland traditions or assimilation into the dominant culture. Her knowledge of musical styles and performance enriches her analysis, and a discography offers a helpful addition to the text. |