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After the Lovedeath: Sexual Violence and Making of Culture
Contributor(s): Kramer, Lawrence (Author)
ISBN: 0520224892     ISBN-13: 9780520224896
Publisher: University of California Press
OUR PRICE:   $31.63  
Product Type: Paperback - Other Formats
Published: July 2000
Qty:
Annotation: After the Lovedeath is a bold attempt to reinterpret the nature of sexual violence and to imagine the possibility of overcoming it. Lawrence Kramer traces today's sexual identities to the their nineteenth-century sources. He draws on the music, literature, and thought of the period to show how normal identity both promotes and rationalizes violence against women. Kramer explores this fatal normality in the self-contradictions of masculinity, the shifting alignments of femininity, authority, and desire, and the interdependency of hetero- and homosexuality. At the same time, he offers glimpses of a saving counter-normality through which gender can free itself from a rigid system of polarities.
Additional Information
BISAC Categories:
- Social Science | Gender Studies
- Literary Criticism
Dewey: 305.3
Physical Information: 0.8" H x 5.54" W x 8.26" (0.91 lbs) 290 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
This elegantly written book is a bold attempt to reinterpret the nature of sexual violence and to imagine the possibility of overcoming it. Lawrence Kramer traces today's sexual identities to their nineteenth-century sources, drawing on the music, literature, and thought of the period to show how normal identity both promotes and rationalizes violence against women.

To make his case, Kramer uses operatic lovedeaths, Beethoven's "Kreutzer Sonata" and the Tolstoy novella named after it; the writings of Walt Whitman and Alfred Lord Tennyson, psychoanalysis, and the logic of dreams. In formal and informal reflections, he explores the self-contradictions of masculinity, the shifting alignments of femininity, authority, and desire, and the interdependency of hetero- and homosexuality. At the same time, he imagines alternatives that could allow gender to be freed from the existing system of polarities that inevitably promote sexual violence.

Kramer's writing avoids the conventional dress of intellectual authority and moves between music and literature in a style that is both intimate and effective. He combines informed scholarship with candid personal utterance and makes clear what is at stake in this crucial debate. After the Lovedeath will have a profound impact on anyone interested in new ways to think about gender.