| Speaking the Unspeakable: Religion, Misogyny, and the Uncanny Mother in Freud's Cultural Texts Contributor(s): Jonte-Pace, Diane (Author) |
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ISBN: 0520230760 ISBN-13: 9780520230767 Publisher: University of California Press OUR PRICE: $31.63 Product Type: Paperback - Other Formats Published: December 2001 Annotation: "Jonte-Pace offers an original reading of selected Freudian texts that lie at the interface of his theories of religion, culture, psyche and gender. She shows that beneath Freud's Oedipal 'masterplot' are unthematized but potent images that meet in 'the uncanny, ' images of maternal corpses and dead(ly) mothers, immortality or afterlife, an absent God, and the wandering Jew. Freud's familiar texts become unfamiliar, especially to readers of the English translations. Jonte-Pace unearths Freud's unsaid preoccupations and in doing so unsettles what scholars say that he said."--Judith Van Herik, author of "Freud on Femininity and Faith
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| Additional Information |
| BISAC Categories: - Psychology - Religion | Judaism - General - Social Science | Gender Studies |
| Dewey: 150.195 |
| LCCN: 2001027341 |
| Physical Information: 0.62" H x 5.98" W x 8.98" (0.72 lbs) 200 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: In this bold rereading of Freud's cultural texts, Diane Jonte-Pace uncovers an undeveloped "counterthesis," one that repeatedly interrupts or subverts his well-known Oedipal masterplot. The counterthesis is evident in three clusters of themes within Freud's work: maternity, mortality, and immortality; Judaism and anti-Semitism; and mourning and melancholia. Each of these clusters is associated with "the uncanny" and with death and loss. Appearing most frequently in Freud's images, metaphors, and illustrations, the counterthesis is no less present for being unspoken--it is, indeed, "unspeakable." The "uncanny mother" is a primary theme found in Freud's texts involving fantasies of immortality and mothers as instructors in death. In other texts, Jonte-Pace finds a story of Jews for whom the dangers of assimilation to a dominant Gentile culture are associated unconsciously with death and the uncanny mother. The counterthesis appears in the story of anti-Semites for whom the "uncanny impression of circumcision" gives rise not only to castration anxiety but also to matriphobia. It also surfaces in Freud's ability to mourn the social and religious losses accompanying modernity, and his inability to mourn the loss of his own mother. The unfolding of Freud's counterthesis points toward a theory of the cultural and unconscious sources of misogyny and anti-Semitism in "the unspeakable." Jonte-Pace's work opens exciting new vistas for the feminist analysis of Freud's intellectual legacy. |
