| Icons of Grief: Val Lewton's Home Front Pictures Contributor(s): Nemerov, Alexander (Author) |
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ISBN: 0520241002 ISBN-13: 9780520241008 Publisher: University of California Press OUR PRICE: $34.60 Product Type: Paperback - Other Formats Published: July 2005 Annotation: "This is cultural history at its best. The author's vivid engagement with his material reveals Val Lewton in a bracing new light. Nemerov teases out relationships between film and society with supple writing, imagination, and skill. A critical tour de force."--David M. Lubin, author of "Shooting Kennedy""Icons of Grief is a brilliantly conceived and successfully executed filmmaker study. Nemerov's research is dazzling, as are his highly sophisticated analyses. At every turn, he reveals his deep understanding of cinema. This is an exquisitely crafted book."--Scott Bukatman, author of "Terminal Identity |
| Additional Information |
| BISAC Categories: - Performing Arts | Film - Direction & Production - History - Social Science | Popular Culture |
| Dewey: 791.430 |
| LCCN: 2004022512 |
| Physical Information: 0.6" H x 5.98" W x 8.76" (0.67 lbs) 226 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: This beautifully written study looks at the haunting, melancholy horror films Val Lewton made between 1942 and 1946 and finds them to be powerful commentaries on the American home front during World War II. Alexander Nemerov focuses on the iconic, isolated figures who appear in four of Lewton's small-budget classics-The Curse of the Cat People, The Ghost Ship, I Walked with a Zombie, and Bedlam. These ghosts, outcasts, and other apparitions of sorrow crystallize the anxiety and grief experienced by Americans during the war, emotions decidedly at odds with the official insistence on courage, patriotism, and optimism. In an evocative meditation on Lewton's use of these "icons of grief," Nemerov demonstrates the film-maker's interest in those who found themselves alienated by wartime society and illuminates the dark side of the American psyche in the 1940s. Nemerov's rich study draws from Lewton's letters, novels, and scripts and from a wealth of historical material to shed light on both the visual and literary aspects of the filmmaker's work. Lavishly illustrated with more than fifty photographs, including many rare film stills, Icons of Grief recasts Lewton's horror films as suggestive commentaries on a troubled and hidden side of America during World War II. |