| Anglo-Saxon England Contributor(s): Biddle, Martin (Editor), Brown, Julian (Editor), Derolez, Rene (Editor) |
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ISBN: 0521038618 ISBN-13: 9780521038614 Publisher: Cambridge University Press OUR PRICE: $44.64 Product Type: Paperback - Other Formats Published: January 2008 Annotation: The materials studied in this volume extend from small pieces of evidence made to reveal Frankish influence on the beginnings of Bath Abbey to a post-Conquest gradual recognized as unique testimony to the pre-Conquest music of Christ Church, Canterbury. An arcane style of Latin poetry much in vogue in tenth-century England is given a full account; likewise an eleventh-century Canterbury copy of a large anthology of Latin poetry for classroom use is properly described. A discussion of the aesthetic principles governing the use of colour in Anglo-Saxon manuscript illumination raises artistic questions not usually considered separately. The corpus of known Anglo-Saxon moneyers is further rectified; late Anglo-Saxon metal-work is surveyed; two decades of post-Stenton debate about the Viking settlements are reviewed; a system of standardizing short titles for Old English texts is presented and there is the usual bibliography of the previous year??'s corpus of Anglo-Saxon studies. |
| Additional Information |
| BISAC Categories: - History | Europe - Great Britain - General - Literary Criticism | English, Irish, Scottish, Welsh |
| Dewey: 942 |
| Series: Anglo-Saxon England |
| Physical Information: 0.64" H x 6" W x 9" (0.92 lbs) 284 pages |
| Themes: - Cultural Region - British Isles |
| Descriptions, Reviews, Etc. |
| Publisher Description: The materials studied in this volume extend from small pieces of evidence made to reveal Frankish influence on the beginnings of Bath Abbey to a post-Conquest gradual recognized as unique testimony to the pre-Conquest music of Christ Church, Canterbury. An arcane style of Latin poetry much in vogue in tenth-century England is given a full account; likewise an eleventh-century Canterbury copy of a large anthology of Latin poetry for classroom use is properly described. A discussion of the aesthetic principles governing the use of colour in Anglo-Saxon manuscript illumination raises artistic questions not usually considered separately. The corpus of known Anglo-Saxon moneyers is further rectified; late Anglo-Saxon metal-work is surveyed; two decades of post-Stenton debate about the Viking settlements are reviewed; a system of standardizing short titles for Old English texts is presented and there is the usual bibliography of the previous year's corpus of Anglo-Saxon studies. |
