| Word and Music in the Novels of Andrey Bely Contributor(s): Steinberg, Ada (Author) |
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ISBN: 0521115663 ISBN-13: 9780521115667 Publisher: Cambridge University Press OUR PRICE: $39.89 Product Type: Paperback - Other Formats Published: July 2009 Annotation: Dr Steinberg discusses Andrey Bely's novels by analysing Wagner's musical techniques and literary devices that Bely employs. |
| Additional Information |
| BISAC Categories: - Literary Criticism | Russian & Former Soviet Union - Literary Criticism | European - General |
| Dewey: 891.733 |
| Series: Cambridge Studies in Russian Literature |
| Physical Information: 0.73" H x 5.5" W x 8.5" (0.92 lbs) 328 pages |
| Themes: - Cultural Region - Russia |
| Descriptions, Reviews, Etc. |
| Publisher Description: Andrey Bely, one of the leading writers of the Russian Symbolist movement, was unusually well informed about music, and shared that movement's general enthusiasm for Wagner. In one of his more striking novels, St. Petersburg, he attempted to develop prose as a form of expression on the basis of Wagner's musical techniques. Dr Steinberg connects word and music in Bely's novels by a clear-headed discussion of the degree to which analogies between music and poetry or prose may be carried, and of the way Bely tried to eliminate the distinction between poetry and prose by experimenting with an array of musical devices. In the second half of the book the author analyses specific devices such as verbal orchestration, dissonance, tonality, and counterpoint in relation to their use in particular novels: St. Petersburg, Kotik Letaev, The Baptized Chinaman, Notes of a Crank, Moscow and Masks. Through this analysis, Dr Steinberg is able to throw light on much that is obscure and difficult in Bely's novels. |