Shakespeare's Late Style Contributor(s): McDonald, Russ (Author) |
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ISBN: 0521820685 ISBN-13: 9780521820684 Publisher: Cambridge University Press OUR PRICE: $114.00 Product Type: Hardcover - Other Formats Published: September 2006 Annotation: When Shakespeare gave up tragedy around 1607 and turned to the new form we call romance or tragicomedy, he created a distinctive poetic idiom that often bewildered audiences and readers. The plays of this period, Pericles, Cymbeline, The Winter??'s Tale, The Tempest, as well as Shakespeare??'s part in the collaborations with John Fletcher (Henry VIII and The Two Noble Kinsmen), exhibit a challenging verse style - verbally condensed, metrically and syntactically sophisticated, both conversational and highly-wrought. In Shakespeare??'s Late Style, McDonald anatomizes the components of this late style, illustrating in a series of topically organized chapters the contribution of such features as ellipsis, grammatical suspension, and various forms of repetition. Resisting the sentimentality that frequently attends discussion of an artist??'s ???late??? period, Shakespeare??'s Late Style shows how the poetry of the last plays reveals their creator??'s ambivalent attitude towards art, language, men and women, the theatre, and his own professional career. |
Additional Information |
BISAC Categories: - Drama | European - English, Irish, Scottish, Welsh - Literary Criticism | English, Irish, Scottish, Welsh - Drama | Shakespeare |
Dewey: 822.33 |
LCCN: 2006286289 |
Physical Information: 0.83" H x 6.4" W x 9.22" (1.22 lbs) 272 pages |
Themes: - Cultural Region - British Isles |
Descriptions, Reviews, Etc. |
Publisher Description: When Shakespeare gave up tragedy around 1607 and turned to the new form we call romance or tragicomedy, he created a distinctive poetic idiom that often bewildered audiences and readers. The plays of this period, Pericles, Cymbeline, The Winter's Tale, The Tempest, as well as Shakespeare's part in the collaborations with John Fletcher (Henry VIII and The Two Noble Kinsmen), exhibit a challenging verse style - verbally condensed, metrically and syntactically sophisticated, both conversational and highly wrought. In Shakespeare's Late Style, McDonald anatomizes the components of this late style, illustrating in a series of topically organized chapters the contribution of such features as ellipsis, grammatical suspension, and various forms of repetition. Resisting the sentimentality that frequently attends discussion of an artist's 'late' period, Shakespeare's Late Style shows how the poetry of the last plays reveals their creator's ambivalent attitude towards art, language, men and women, the theatre, and his own professional career. |