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Landscape and Gender in Italian Opera
Contributor(s): Senici, Emanuele (Author)
ISBN: 0521834376     ISBN-13: 9780521834377
Publisher: Cambridge University Press
OUR PRICE:   $128.25  
Product Type: Hardcover - Other Formats
Published: September 2005
Qty:
Annotation: In this unusual study, Emanuele Senici explores the connection between landscape and gender in Italian opera through the emblematic figure of the Alpine virgin. In the nineteenth century, operas portraying an emphatically virginal heroine, a woman defined by her virginity, were often set in the mountains, most frequently the Alps. The clarity of the sky, the whiteness of the snow and the purity of the air were associated with the ???innocence??? of the female protagonist. Senici discusses a number of works particularly relevant to the origins, transformations and meanings of this conventional association including Bellini??'s La sonnambula (1831), Donizetti??'s Linda di Chamounix (1842), Verdi??'s Luisa Miller (1849), and Puccini??'s La fanciulla del West (1910). This convention presents an unusual point of view - a theme rather than a composer, a librettist, a singer or a genre - from which to observe Italian opera ???at work??? over a century.
Additional Information
BISAC Categories:
- Music | Genres & Styles - Opera
Dewey: 782.109
LCCN: 2005047831
Series: Cambridge Studies in Opera
Physical Information: 0.94" H x 6.46" W x 9.2" (1.54 lbs) 368 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
In this unusual study, Emanuele Senici explores the connection between landscape and gender in Italian opera through the emblematic figure of the Alpine virgin. In the nineteenth century, operas portraying an emphatically virginal heroine, a woman defined by her virginity, were often set in the mountains, most frequently the Alps. The clarity of the sky, the whiteness of the snow and the purity of the air were associated with the 'innocence' of the female protagonist. Senici discusses a number of works particularly relevant to the origins, transformations and meanings of this conventional association including Bellini's La sonnambula (1831), Donizetti's Linda di Chamounix (1842), Verdi's Luisa Miller (1849), and Puccini's La fanciulla del West (1910). This convention presents an unusual point of view - a theme rather than a composer, a librettist, a singer or a genre - from which to observe Italian opera 'at work' over a century.

Contributor Bio(s): Senici, Emanuele: - Emanuele Senici is University Lecturer in Music at the University of Oxford, where he is a Fellow of St Hugh's College. In 2002 he was awarded the Jerome Roche Prize of the Royal Musical Association. He has edited The Cambridge Companion to Rossini (2004) and co-edits the Cambridge Opera Journal.