'Michael Field': Poetry, Aestheticism and the Fin de Siècle Contributor(s): Thain, Marion (Author) |
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ISBN: 0521874181 ISBN-13: 9780521874182 Publisher: Cambridge University Press OUR PRICE: $114.00 Product Type: Hardcover - Other Formats Published: October 2007 Annotation: 'Michael Field' (1884???1914) was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Cooper, who lived and wrote together as 'lovers'. The large oeuvre contains poems, dramas, and a vast diary. Marion Thain recounts the development of a fascinating and idiosyncratic poetic persona that, she argues, itself became a self-reflexive study in aestheticism. The constructed life and work of 'Michael Field' is used here to deepen and complicate our understanding of many of the most distinctive aesthetic debates of the late-nineteenth and early-twentieth centuries; a process unified by the recurring engagement with theories of time and history that structures this book. This analysis of poetry, aestheticism and the fin de si??cle, through the performance of 'Michael Field', has implications that reach far beyond an understanding of one poet's work. Scholars of both Victorian and modernist literature will learn much from this innovative and compelling study. |
Additional Information |
BISAC Categories: - Drama | European - English, Irish, Scottish, Welsh |
Dewey: 821.8 |
Series: Cambridge Studies in Nineteenth-Century Literature and Culture (Hardcover) |
Physical Information: 0.94" H x 6.16" W x 9.28" (1.33 lbs) 286 pages |
Descriptions, Reviews, Etc. |
Publisher Description: 'Michael Field' (1884-1914) was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Cooper, who lived and wrote together as 'lovers'. The large oeuvre contains poems, dramas, and a vast diary. Marion Thain recounts the development of a fascinating and idiosyncratic poetic persona, which became a self-reflexive study in aestheticism. The constructed life and work of 'Michael Field' is used here to deepen and complicate our understanding of many of the most distinctive aesthetic debates of the late nineteenth and early twentieth centuries; a process unified by the recurring engagement with theories of time and history that structures this book. This analysis of poetry, aestheticism and the fin de si cle, through the performance of 'Michael Field', has implications that reach far beyond an understanding of one poet's work. Scholars of both Victorian and modernist literature will learn much from this innovative and compelling study. |