| The Hum: Call and Response in African American Preaching Contributor(s): Crawford, Evans (Author) |
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ISBN: 0687180201 ISBN-13: 9780687180202 Publisher: Abingdon Press OUR PRICE: $18.89 Product Type: Paperback - Other Formats Published: March 1995 Annotation: Firmly rooted in the black experience, this approach to homiletics helps readers understand preaching as an oral event. The call/response tension in black preaching is what drives the musicality of speech in black churches. Crawford refers to this musicality as "hum thoughts", and leads the reader to a better understanding of this type of preaching and its effects on the congregation. |
| Additional Information |
| BISAC Categories: - Religion | Christian Ministry - Preaching - Religion | Christian Ministry - Counseling & Recovery - Religion | Christian Rituals & Practice - General |
| Dewey: 251.008 |
| LCCN: 94040262 |
| Physical Information: 0.27" H x 5.62" W x 8.5" (0.34 lbs) 108 pages |
| Themes: - Theometrics - Mainline - Ethnic Orientation - African American - Religious Orientation - Christian |
| Descriptions, Reviews, Etc. |
| Publisher Description: In The Hum: Call and Response in African Preaching, Evans E. Crawford, with Thomas H. Troeger, relates his analysis of African American folk preaching by relying upon an indigenous scheme for evaluation. The call/response tension in black preaching (derived from a West African tradition) is what drives the musicality of speech in black churches. Crawford refers to this musicality as hum thoughts and one can imagine the choir responding with a low rumbling hum to the musical intonations of a motivated preacher. Key features: a new volume in the Abingdon Preacher's Library, edited by Thomas H. Troeger; a different approach to preaching, firmly rooted in the black experience; leads the reader to understand preaching as an oral event; uses the term homiletical musicality to describe the musical understanding of the way sermons are heard and the oral response they awaken in the listener; and, coins new phrases for describing the preaching event. |
Contributor Bio(s): Troeger, Thomas H.: - Thomas H. Troeger, Lantz Professor emeritus Yale Divinity School and Institute of Sacred Music, has written 24 books in the fields of preaching, poetry, hymnody and worship. His most recent books include: Song that Blesses Earth: Hymn texts, carols, and poems; A Sermon Workbook: Exercises in the Art and Craft of Preaching (with Nora Tubbs Tisdale); Music as Prayer: The Theology and Practice of Church Music. He is also a flutist and a poet whose work appears in the hymnals of most denominations and is frequently set as choral anthems. Professor Troeger has a B.A. Yale University; B.D. Colgate Rochester Divinity School. In 2014 the University of Basel, Switzerland, awarded him an honorary doctorate in theology for his international work in homiletics and his development of "a contemporary religious language which does justice to both aesthetic and theological demands." In 2016 he gave the Beecher Lectures at Yale on which his latest book, The End of Preaching, is based. Ordained as a priest in the Episcopal Church and as a minister in the Presbyterian Church, he is now retired and living in Falmouth, Maine.Crawford, Evans: - Interim Dean, Howard University School of Divinity |
