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From Silent Screen to Multi-Screen: A History of Cinema Exhibition in Britain Since 1896
Contributor(s): Hanson, Stuart (Author)
ISBN: 0719069459     ISBN-13: 9780719069451
Publisher: Manchester University Press
OUR PRICE:   $28.45  
Product Type: Paperback - Other Formats
Published: August 2007
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: Detailed and comprehensive, this book is the first survey of cinema exhibition in Britain from its inception until the present. Charting the development of cinema exhibition and cinema-going in Britain from the first public film screening by the Lumiere Brothers' at London's Regent Street Polytechnic in February 1896, through to the development of the multiplex and giant megaplex cinemas, the history of cinema exhibition is placed in its wider social, cultural and economic contexts. Adopting a chronological structure, this book takes into account how changes in the structure of the film industry, especially regarding the exhibition sector, impacted upon the cinema-going experience.
Additional Information
BISAC Categories:
- Performing Arts | Film - History & Criticism
- History | Europe - Great Britain - General
- History | Social History
Dewey: 384.850
Series: Studies in Popular Culture (Paperback)
Physical Information: 0.7" H x 6.1" W x 9.1" (0.75 lbs) 224 pages
Themes:
- Cultural Region - British Isles
- Chronological Period - 1851-1899
- Chronological Period - 20th Century
- Chronological Period - 21st Century
 
Descriptions, Reviews, Etc.
Publisher Description:
Detailed and comprehensive, this book is the first survey of cinema exhibition in Britain from its inception until the present.

Charting the development of cinema exhibition and cinema-going in Britain from the first public film screening by the Lumière Brothers' at London's Regent Street Polytechnic in February 1896, through to the development of the multiplex and giant megaplex cinemas, the history of cinema exhibition is
placed in its wider social, cultural and economic contexts. Adopting a chronological structure, this book takes into account how changes in the structure of the film industry, especially regarding the exhibition sector, impacted upon the cinema-going experience.

From silent screen to multi-screen will be valuable for social historians as well as scholars and students in film studies, media studies and cultural history.