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Conrad's Marlow: Narrative and Death in 'Youth', Heart of Darkness, Lord Jim and Chance
Contributor(s): Wake, Paul (Author)
ISBN: 0719074908     ISBN-13: 9780719074905
Publisher: Manchester University Press
OUR PRICE:   $123.50  
Product Type: Hardcover - Other Formats
Published: October 2007
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: Described as "the average pilgrim" a "wanderer," and "a Buddha preaching in European clothes," Charlie Marlow is the voice behind Joseph Conrad's "Youth" (1898), "Heart of Darkness" (1899), "Lord Jim" (1900), and "Chance" (1912). "Conrad's Marlow" offers a comprehensive account and critical analysis of one of Conrad's most celebrated creations, asking both who and what is Marlow: a character or a narrator, a biographer or an autobiographical screen, a messenger or an interpreter, a bearer of truth, or a misguided liar? Offering an investigation into the connection between narrative and death, this book argues that Marlow's essence is located in his constantly shifting position and that the emergence of meaning in his stories is bound up with the process of his storytelling.
Additional Information
BISAC Categories:
- Literary Criticism | English, Irish, Scottish, Welsh
Dewey: 823.912
Physical Information: 0.75" H x 6.41" W x 9.36" (0.86 lbs) 160 pages
Themes:
- Cultural Region - British Isles
 
Descriptions, Reviews, Etc.
Publisher Description:
Variously described as 'the average pilgrim', a 'wanderer', and 'a Buddha preaching in European clothes', Charlie Marlow is the voice behind Joseph Conrad's 'Youth' (1898), Heart of Darkness (1899), Lord Jim (1900) and Chance (1912).

Conrad's Marlow offers a comprehensive account and critical analysis of one of Conrad's most celebrated creations, asking both who and what is Marlow: a character or a narrator, a biographer or an autobiographical screen, a messenger or an interpreter, a bearer of truth or a misguided liar?

Reading Conrad's fiction alongside the work of Walter Benjamin, Maurice Blanchot, Jacques Derrida and Martin Heidegger, and offering an investigation into the connection between narrative and death, this book argues that Marlow's essence is located in his liminality - in his constantly shifting position - and that the emergence of meaning in his stories is at all points bound up with the process of his storytelling.