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The European Avant-Garde: 1900-1940
Contributor(s): Webber, Andrew J. (Author)
ISBN: 0745627056     ISBN-13: 9780745627052
Publisher: Polity Press
OUR PRICE:   $28.50  
Product Type: Paperback - Other Formats
Published: September 2004
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Annotation: This book offers an informative and accessible cultural history of the European avant-garde in its early twentieth-century heyday. It provides comparative coverage of cultural experimentation across the major European languages, including English, French, German, Russian, Spanish and Italian. Andrew Webber presents striking examples to illustrate a time of unprecedented experiment and energetic performance in all aspects of culture. Readings of some of the most important and characteristic avant-garde texts, pictures and films are set against some of the key developments of the period: advances in technology and psychology; the rise of radical politics; the cultural ferment of the modern metropolis; and the upheaval in issues of gender and sexuality. The authorrsquo; s mediation between a variety of cultural forms, combining political and psychoanalytical modes of understanding, evokes the richness of the age in a manner that students will find both illuminating and provocative. This volume will be an excellent textbook for courses on the avant-garde in departments of comparative cultural studies, literature and film studies.
Additional Information
BISAC Categories:
- Art | History - Modern (late 19th Century To 1945)
- Social Science | Anthropology - Cultural & Social
Dewey: 709.041
LCCN: 96141480
Series: Polity Cultural History of Literature
Physical Information: 0.8" H x 5.96" W x 9.02" (0.87 lbs) 272 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
This book offers an informative and accessible cultural history of the European avant-garde in its early twentieth-century heyday. It provides comparative coverage of cultural experimentation across the major European languages, including English, French, German, Russian, Spanish and Italian.


Andrew Webber presents striking examples to illustrate a time of unprecedented experiment and energetic performance in all aspects of culture. Readings of some of the most important and characteristic avant-garde texts, pictures and films are set against some of the key developments of the period: advances in technology and psychology; the rise of radical politics; the cultural ferment of the modern metropolis; and the upheaval in issues of gender and sexuality. The author's mediation between a variety of cultural forms, combining political and psychoanalytical modes of understanding, evokes the richness of the age in a manner that students will find both illuminating and provocative.





This volume will be an excellent textbook for courses on the avant-garde in departments of comparative cultural studies, literature and film studies.