| Stop-Motion Filming and Performance: A Guide to Cameras, Lighting and Dramatic Techniques Contributor(s): Brierton, Tom (Author) |
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ISBN: 0786424176 ISBN-13: 9780786424177 Publisher: McFarland & Company OUR PRICE: $49.45 Product Type: Paperback Published: February 2006 Annotation: Though stop-motion requires considerable technical knowledge, it also involves aesthetics and artistry that go beyond the technician's realm. Just as important as puppet mechanics are lighting, filters, lenses, camera angle and placement, and dramatic pose and movement. This manual is a complete guide to the aesthetics of stop-motion animation. Information is organized in an intuitive, easy-to-use structure, following the order an animator uses in setting up and then executing a scene. The first half concentrates on the aesthetics of lighting and cameras, a primary concern in any shot, with details of camera placement, various lenses and myriad lighting techniques. The second half deals with the process of performance art. Included is a commentary on body language, facial expression, gesture, movement and emotion?key concepts that are exemplified through the acting process. The work also offers an introduction to narrative form and a glossary of related terms. |
| Additional Information |
| BISAC Categories: - Performing Arts | Film - Direction & Production - Performing Arts | Animation (see Also Film - Genres - Animated) - Performing Arts | Puppets & Puppetry |
| Dewey: 778.534 |
| LCCN: 2005032535 |
| Physical Information: 0.29" H x 8.46" W x 10.96" (0.75 lbs) 112 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Stop-motion animation has long been perceived as a technical practice rather than a creative, demanding art. Though stop-motion requires considerable technical knowledge, it also involves aesthetics and artistry that go beyond the technician's realm. Just as important as puppet mechanics are lighting, filters, lenses, camera angle and placement, and dramatic pose and movement. This manual is a complete guide to the aesthetics of stop-motion animation. Information is organized in an intuitive, easy-to-use structure, following the order an animator uses in setting up and then executing a scene. The first half concentrates on the aesthetics of lighting and cameras, a primary concern in any shot, with details of camera placement, various lenses and myriad lighting techniques. The second half deals with the process of performance art, an oft-overlooked aspect of stop-motion animation. Included is a commentary on body language, facial expression, gesture, movement and emotion--key concepts that are exemplified through the acting process. The work also offers an introduction to narrative form and a glossary of related terms. |