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Other Sexes: Rewriting Difference from Woolf to Winterson
Contributor(s): Harris, Andrea L. (Author)
ISBN: 0791444562     ISBN-13: 9780791444566
Publisher: State University of New York Press
OUR PRICE:   $32.25  
Product Type: Paperback - Other Formats
Published: November 1999
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Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: In 1929, Virginia Woolf used the phrase "other sexes" to point out the dire need to expand our way of thinking about sexual difference. The fiction studied here does just that, by sketching the contours of a world where genders, sexes, and sexualities proliferate and multiply.

Focusing on a selection of novels by Woolf, Djuna Barnes, Marianne Hauser, and Jeanette Winterson -- novels that cross conventional boundaries between British and American, modern and postmodern, canonical and non-canonical -- Andrea L. Harris argues that there is a continuum in these novelists' investigations of gender. Taking as theoretical models Judith Butler's theory of performance gender and Luce Irigaray's concept of the sensible transcendental. Harris analyzes increasingly more radical challenges to the notion of two sexes and two genders throughout the twentieth century, through which new combinations of sex, gender, desire, and sexual practice are created.

Additional Information
BISAC Categories:
- Literary Criticism | Women Authors
- Literary Criticism | Feminist
Dewey: 823.910
LCCN: 99023584
Series: Suny Series in Feminist Criticism and Theory
Physical Information: 0.43" H x 5.86" W x 8.88" (0.59 lbs) 187 pages
Themes:
- Sex & Gender - Feminine
 
Descriptions, Reviews, Etc.
Publisher Description:
In 1929, Virginia Woolf used the phrase other sexes to point out the dire need to expand our way of thinking about sexual difference. The fiction studied here does just that, by sketching the contours of a world where genders, sexes, and sexualities proliferate and multiply.

Focusing on a selection of novels by Woolf, Djuna Barnes, Marianne Hauser, and Jeanette Winterson--novels that cross conventional boundaries between British and American, modern and postmodern, canonical and non-canonical--Andrea L. Harris argues that there is a continuum in these novelists' investigations of gender. Taking as theoretical models Judith Butler's theory of performative gender and Luce Irigaray's concept of the sensible transcendental, Harris analyzes increasingly more radical challenges to the notion of two sexes and two genders throughout the twentieth century.