The Cultural Front: Black Immigrants and the Politics of Race Contributor(s): Fitzpatrick, Sheila (Author) |
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ISBN: 0801421969 ISBN-13: 9780801421969 Publisher: Cornell University Press OUR PRICE: $128.70 Product Type: Hardcover - Other Formats Published: October 1992 |
Additional Information |
BISAC Categories: - History | Russia & The Former Soviet Union - Literary Criticism | Russian & Former Soviet Union - Political Science | Political Ideologies - Communism, Post-communism & Socialism |
Dewey: 947.084 |
LCCN: 92-52752 |
Lexile Measure: 1630 |
Series: Studies in Soviet History and Society |
Physical Information: 0.81" H x 6" W x 9" (1.31 lbs) 296 pages |
Themes: - Cultural Region - Russia |
Descriptions, Reviews, Etc. |
Publisher Description: When Lenin asked, Who will beat whom? (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest cultural hegemony from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between proletarian Communists and the bourgeois intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom? In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on the cultural front from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays--two previously unpublished and all revised for inclusion here--which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor. The Cultural Front is essential reading for anyone interested in the formative history of the Soviet Union and the dynamic relationship between culture and politics. |
Contributor Bio(s): Fitzpatrick, Sheila: - Sheila Fitzpatrick is Bernadotte E. Schmitt Distinguished Service Professor in Modern Russian History at the University of Chicago. She is the author of Tear off the Masks! Identity and Imposture in Twentieth-Century Russia, Everyday Stalinism, and Stalin's Peasants and the editor or coeditor of several other books. |