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Self-Same Songs: Autobiographical Performances and Reflections
Contributor(s): Porter, Roger J. (Author)
ISBN: 0803287674     ISBN-13: 9780803287679
Publisher: University of Nebraska Press
OUR PRICE:   $23.70  
Product Type: Paperback - Other Formats
Published: July 2002
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Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: "Self-Same Songs" constitutes a major contribution to the growing literary study of autobiography. Using a range of authors, including Homer, Edward Gibbon, Benjamin Franklin, Somerset Maugham, Franz Kafka, and Eugene Delacroix, Roger J. Porter offers a broad-based examination of the autobiography and the varied techniques used by its practitioners over time. In a style that is both graceful and erudite, Porter focuses on the diverse motivations and rhetorical functions that the act of self-writing serves for particular writers. He reflects on the texts not only as an exploration of self-identity but also as the writers' attempts to modify the life in the act of writing about it. Then, stepping out of his critical role, Porter ends each chapter with an autobiographical discussion of his professional and personal engagement with the autobiographer under discussion, creating an intriguing and absorbing literary autobiography within the critical text.

Additional Information
BISAC Categories:
- Fiction | Anthologies (multiple Authors)
Dewey: 809.935
LCCN: 2001044596
Physical Information: 0.64" H x 6.18" W x 9.1" (0.89 lbs) 272 pages
Themes:
- Chronological Period - 20th Century
- Cultural Region - Eastern Europe
- Ethnic Orientation - Jewish
 
Descriptions, Reviews, Etc.
Publisher Description:

Self-Same Songs constitutes a major contribution to the growing literary study of autobiography. Using a range of authors, including Homer, Edward Gibbon, Benjamin Franklin, Somerset Maugham, Franz Kafka, and Eug ne Delacroix, Roger J. Porter offers a broad-based examination of the autobiography and the varied techniques used by its practitioners over time. In a style that is both graceful and erudite, Porter focuses on the diverse motivations and rhetorical functions that the act of self-writing serves for particular writers. He reflects on the texts not only as an exploration of self-identity but also as the writers' attempts to modify the life in the act of writing about it. Then, stepping out of his critical role, Porter ends each chapter with an autobiographical discussion of his professional and personal engagement with the autobiographer under discussion, creating an intriguing and absorbing literary autobiography within the critical text.