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Backwards & Forwards: A Technical Manual for Reading Plays
Contributor(s): Ball, David (Author), Langham, Michael (Foreword by), Haj, Joseph (Foreword by)
ISBN: 0809311100     ISBN-13: 9780809311101
Publisher: Southern Illinois University Press
OUR PRICE:   $21.78  
Product Type: Paperback
Published: July 1983
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Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: This guide to playreading for students and practitioners of both theater and literature complements, rather then contradicts or repeats, traditional methods of literary analysis of scripts.


Ball developed his method during his work as Literary Director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use to make their plays stageworthy. The text is full of tools for students and practitioners to use as they investigate plot, character, theme, exposition, imagery, motivation/obstacle/conflict, theatricality, and the other crucial parts of the superstructure of a play. He includes guides for discovering what the playwright considers the play's most important elements, thus permitting interpretation based on the foundation of the play rather than its details.


Using "Hamlet" as illustration, Ball assures a familiar base for illustrating script-reading techniques as well as examples of the kinds of misinterpretation readers can fall prey to by ignoring the craft of the playwright. Of immense utility to those who want to put plays on the stage (actors, directors, designers, production specialists) "Backwards and Forwards" is also a fine playwriting manual because the structures it describes are the primary tools of the playwright.

Additional Information
BISAC Categories:
- Language Arts & Disciplines | Writing - General
Dewey: 808.2
LCCN: 82019333
Lexile Measure: 1010
Physical Information: 0.3" H x 5.35" W x 8.45" (0.35 lbs) 112 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

The best-selling script analysis book for thirty-five years

Considered an essential text since its publication thirty-five years ago, this guide for students and practitioners of both theater and literature complements, rather than contradicts or repeats, traditional methods of literary analysis of scripts.

Ball developed his method during his work as literary director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use to make their plays stageworthy. The text is full of tools for students and practitioners to use as they investigate plot, character, theme, exposition, imagery, conflict, theatricality, and the other crucial parts of the superstructure of a play. Also included are guides for discovering what the playwright considers a play' s most important elements, thus permitting interpretation based on the foundation of the play rather than its details.

Using Shakespeare's Hamlet as illustration, Ball assures a familiar base for clarifying script-reading techniques as well as exemplifying the kinds of misinterpretation readers can fall prey to by ignoring the craft of the playwright. Of immense utility to those who want to put plays on the stage (actors, directors, designers, production specialists) Backwards & Forwards is also a fine playwriting manual because the structures it describes are the primary tools of the playwright.


Contributor Bio(s): Ball, David: - David Ball was one of the nation's first theater literary directors when he served under Michael Langham at Minneapolis's Guthrie Theater. He later taught acting, directing, and script analysis at Lawrence, Carnegie Mellon, and Duke Universities. He was the artistic director of Pittsburgh's renowned Metro Theater and the literary director of the Pittsburgh Public Theater. David Ball's plays and adaptations have been frequently staged at professional repertory theaters throughout the United States and in Europe, including most recently his landmark adaptations of Moliere's Tartuffe, The Miser, and The Imaginary Invalid. His former theater and film students hold Oscars, Obies, Tonys, and Emmys, and his own work has been supported by the Ford, McKnight, and Shubert Foundations, and the National Endowment for the Arts.