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From Musical Folklore to Twelve Tone Technique: Memoirs of a Musician Between East and West
Contributor(s): Von Albrecht, Georg (Author), Von Albrecht, Michael (Translator), Schwartz, Francis R. (Translator)
ISBN: 0810849690     ISBN-13: 9780810849693
Publisher: Scarecrow Press
OUR PRICE:   $101.97  
Product Type: Hardcover
Published: January 2004
Qty:
Annotation: The memoirs of the Russian-born German composer Georg von Albrecht are an important document of 20th-century musical history. Dictated to his son Michael von Albrecht and first published in German, von Albrecht's autobiography recounts his dramatic experiences during the 1917 Russian revolution and the Nazi terror. His reports of encoutners with such other composers as Taneyev, Glazunov, Scriabin, Stravinsky, Hindemith, Frommel, David, and others, and his thoroughgoing discussion of tonal systems and compositional methods, reflect the approach and critical response to many procedures typical of 20th-century music. His analyses shed light on the works of other composers and the development of modern and postmodern compositional strategies..
Additional Information
BISAC Categories:
- Biography & Autobiography
- Music | Genres & Styles - Classical
- Music | Instruction & Study - Composition
Dewey: B
LCCN: 2003018725
Physical Information: 0.66" H x 6.44" W x 9.3" (0.89 lbs) 166 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
The memoirs of the Russian-born German composer Georg von Alberecht (born Kasan 1891, died Heidelberg 1976) are an important document of 20th-century musical history. Dictated to his son Michael von Albrecht and first published in German, von Albrecht's autobiography recounts his dramatic experiences during the 1917 Russian revolution and the Nazi terror. His reports of encounters with such other composers as Taneyev, Glazunov, Scriabin, Stravinsky, Hindemith, Frommel, David, and others, and his thorough discussion of tonal systems and compositional methods, reflect the approach and critical response to many procedures typical of the 20th-century music. His analyses shed light on the works of other composers and the development of modern and postmodern compositional strategies. Translated by Michael von Albrecht and Francis R. Schwartz, and edited by Elliott Antokoletz, these memoirs offer the English-speaking reader a first-hand account of some of the most dynamic political, social, and musical developments in 20th-century Europe.