| 3-D Filmmakers: Conversations with Creators of Stereoscopic Motion Pictures Contributor(s): Zone, Ray (Author) |
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ISBN: 0810854376 ISBN-13: 9780810854376 Publisher: Scarecrow Press OUR PRICE: $78.21 Product Type: Paperback Published: February 2005 Annotation: Although numerous books about conventional filmmaking exist, none has solely addressed the challenges and production requirements of making stereoscopic motion pictures--until now. Stereographer and film historian Ray Zone presents the insights of twenty-one professionals who have worked in this specialized field. In this unique collection of interviews, Zone explores the art and craft of 3-D filmmaking with producers, screenwriters, directors, and cinematographers. |
| Additional Information |
| BISAC Categories: - Performing Arts | Film - History & Criticism |
| Dewey: 778.534 |
| LCCN: 2004026418 |
| Series: Scarecrow Filmmakers |
| Physical Information: 0.51" H x 7.1" W x 10.08" (0.91 lbs) 192 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Although numerous books about conventional filmmaking exist, none has solely addressed the challenges and production requirements of making stereoscopic motion pictures. Until now. Stereographer and film historian, Ray Zone, presents the insights of twenty-one professionals who have worked in this specialized field. In this unique collection of interviews, Zone explores the art and craft of 3-D filmmaking with producers, screenwriters, directors, and cinematographers. The interviews range from a discussion with Arch Oboler - producer of Bwana Devil, the 1952 feature that triggered the "boom" of 3-D films - to producers and cinematographers who have worked with single-strip 3-D film production in the 1970s and '80s, 3-D films in theme parks, current IMAX films, and the new and still evolving format of digital 3-D cinema. These interviews provide an unprecedented look at the unique challenges of producing stereoscopic motion pictures. Over five decades of this unique medium are covered, and will interest aspiring filmmakers, stereo photography enthusiasts, cinema buffs, devotees of popular culture, and film historians. |