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Ezra Pound and Music: The Complete Criticism
Contributor(s): Pound, Ezra (Author)
ISBN: 0811217841     ISBN-13: 9780811217842
Publisher: New Directions Publishing Corporation
OUR PRICE:   $31.30  
Product Type: Paperback
Published: November 1977
Qty:
Additional Information
BISAC Categories:
- Juvenile Nonfiction | Biography & Autobiography - Music
Dewey: 814.5
Physical Information: 1.22" H x 5.51" W x 8.5" (1.52 lbs) 548 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Included here are all of Pound's concert reviews and statements; the biweekly columns written under the pen name William Atheling for The New Age in London; articles from other periodicals; the complete text of the 1924 landmark volume Antheil and the Treatise on Harmony; extracts from books and letters, and the poet's additional writings on the subject of music. The pieces are organized chronologically, with illuminating commentary, thorough footnotes, and an index. Three appendixes complete this comprehensive volume; an analysis of Pound's theories of "absolute rhythm" and "Great Bass;" a glossary of important musical personalities mentioned in the text and the composer George Antheil's 1924 appreciation, "Why a Poet Quit the Muses."

Contributor Bio(s): Pound, Ezra: - New Directions has been the primary publisher of Ezra Pound in the U.S. since the founding of the press when James Laughlin published New Directions in Prose and Poetry 1936. That year Pound was fifty-one. In Laughlin's first letter to Pound, he wrote: "Expect, please, no fireworks. I am bourgeois-born (Pittsburgh); have never missed a meal. . . . But full of 'noble caring' for something as inconceivable as the future of decent letters in the US." Little did Pound know that into the twenty-first century the fireworks would keep exploding as readers continue to find his books relevant and meaningful.