Limit this search to....

Thinking in the Dark: Cinema, Theory, Practice
Contributor(s): Pomerance, Murray (Editor), Palmer, R. Barton (Editor), Palmer, R. Barton (Contribution by)
ISBN: 0813566282     ISBN-13: 9780813566283
Publisher: Rutgers University Press
OUR PRICE:   $38.90  
Product Type: Paperback - Other Formats
Published: October 2015
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Performing Arts | Film - History & Criticism
- Philosophy | Movements - Critical Theory
- Performing Arts | Reference
Dewey: 791.430
LCCN: 2015002732
Physical Information: 0.76" H x 5.96" W x 9.02" (1.03 lbs) 288 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Today's film scholars draw from a dizzying range of theoretical perspectives--they're just as likely to cite philosopher Gilles Deleuze as they are to quote classic film theorist Andr Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming.

Thinking in the Dark introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei Eisenstein, Michel Foucault, Siegfried Kracauer, and Judith Butler. Rather than just discussing each theorist's ideas in the abstract, the book shows how those concepts might be applied when interpreting specific films by including an analysis of both a classic film and a contemporary one. It thus demonstrates how theory can help us better appreciate films from all eras and genres: from Hugo to Vertigo, from City Lights to Sunset Blvd., and from Young Mr. Lincoln to A.I. and Wall-E.

The volume's contributors are all experts on their chosen theorist's work and, furthermore, are skilled at explaining that thinker's key ideas and terms to readers who are not yet familiar with them. Thinking in the Dark is not only a valuable resource for teachers and students of film, it's also a fun read, one that teaches us all how to view familiar films through new eyes.

Theorists examined in this volume are: Rudolf Arnheim, B la Bal zs, Roland Barthes, Andr Bazin, Walter Benjamin, Judith Butler, Stanley Cavell, Michel Chion, Gilles Deleuze, Jean Douchet, Sergei Eisenstein, Jean Epstein, Michel Foucault, Siegfried Kracauer, Jacques Lacan, Vachel Lindsay, Christian Metz, Hugo M nsterberg, V. F. Perkins, Jacques Ranci re, and Jean Rouch.