| Don't Look Now: Things We Wish We Hadn't Seen Contributor(s): Lazar, David (Editor), Iversen, Kristen (Editor) |
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ISBN: 0814256015 ISBN-13: 9780814256015 Publisher: Mad Creek Books OUR PRICE: $19.76 Product Type: Paperback Published: October 2020 |
| Additional Information |
| BISAC Categories: - Literary Collections | Essays - Literary Collections | American - General |
| Dewey: 808.066 |
| LCCN: 2020009275 |
| Physical Information: 0.6" H x 5.5" W x 8.4" (0.60 lbs) 240 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Would that our memories were self-selecting. But often what we remember most, and most vividly, are those moments that caught us unawares: the things we wish we hadn't seen and have never been able to shake. This group of prominent American writers tries to come to grips with obsessive memory, the uncanny, and the bad dreams that accompany the moments in our lives when we wish we'd looked away, the places we wish we'd never been, and the scenes we wish we'd never stumbled upon. Featuring essays by Jericho Parms, XU XI, Jerald Walker, José Orduña, Kristen Iversen, Nicole Walker, Mary Cappello, Lina Ferreira, Colleen O'Connor, Sonya Huber, Paul Crenshaw, Alyce Miller, Patrick Madden, Amelia María de la Luz Montes, Yalie Kamara, Emily Heiden, Lee Martin, and David Lazar, this collection bares all. The authors invite readers into a dream that resurrects a departed mother each night, only to lose her again each morning upon waking; the post-mortem newspaper photos of a former student; kaleidoscope childhood memories of the mundane mixed up together with the traumatic; an unplanned pregnancy; a bullfight and a spouse's mortality; a teen witnessing the suicide of her father; a parent trying to shield his children from witnessing a violent death. What these writers are after, though, is not the melancholic/grotesque/violent moment itself, but the process of remembering-and trying to forget. They examine the way these memories take hold, resurface, and never leave, and what it means for a life lived long after these moments have passed. These scenes, slowly enfolding us like bad dreams or flying by like trains on elevated platforms, demand we reach some kind of accommodation with them-make peace or make sense or make amends. The one thing they insist with certainty is this: they cannot-will not-be unseen. |