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Joyce and Reality: The Empirical Strikes Back
Contributor(s): Gordon, John (Author)
ISBN: 0815630190     ISBN-13: 9780815630197
Publisher: Syracuse University Press
OUR PRICE:   $42.75  
Product Type: Hardcover
Published: May 2004
Qty:
Annotation: "Joyce was a realist, but his reality was not ours," writes John Gordon in his new book. Here, he maintains that the shifting styles and techniques of Joyce's works is a function of two interacting realities--the external reality of a particular time and place and the internal reality of a character's mental state. In making this case Gordon offers up a number of new readings: how Stephen Dedalus conceives and composes his villanelle; why the Dubliners story about Little Chandler is titled "A Little Cloud"; why Gerty MacDowell suddenly appears and disappears; what is happening when Leopold Bloom stares for two minutes on end at a beer bottle's label; why the triangle etched at the center of Finnegans Wake doubles itself and grows a pair of circles; why the next to last chapter of Ulysses has, by far, the book's highest incidence of the letter C; and who is the man in the macintosh. Gordon, whose authoritative Finnegans Wake: A Plot Summary received critical acclaim and is considered one of the standard references, revises--and challenges--the received version of that reality. For instance, Joyce features ghost visitations, telepathy, and other paranormal phenomena not as "flights into fantasy" but because he believed in the real possibility of such occurrences.
Additional Information
BISAC Categories:
- Literary Criticism | English, Irish, Scottish, Welsh
Dewey: 823.912
LCCN: 2004001993
Series: Irish Studies
Physical Information: 1.07" H x 6.48" W x 9.54" (1.44 lbs) 358 pages
Themes:
- Cultural Region - British Isles
 
Descriptions, Reviews, Etc.
Publisher Description:

"Joyce was a realist, but his reality was not ours," writes John Gordon in his new book. Here, he maintains that the shifting styles and techniques of Joyce's works is a function of two interacting realities the external reality of a particular time and place and the internal reality of a character's mental state. In making this case Gordon offers up a number of new readings: how Stephen Dedalus conceives and composes his villanelle; why the Dubliners story about Little Chandler is titled "A Little Cloud"; why Gerty MacDowell suddenly appears and disappears; what is happening when Leopold Bloom stares for two minutes on end at a beer bottle's label; why the triangle etched at the center of Finnegans Wake doubles itself and grows a pair of circles; why the next to last chapter of Ulysses has, by far, the book's highest incidence of the letter C; and who is the man in the macintosh.

Gordon, whose authoritative "Finnegans Wake" A Plot Summary received critical acclaim and is considered one of the standard references, revisesand challengesthe received version of that reality. For instance, Joyce features ghost visitations, telepathy, and other paranormal phenomena not as "flights into fantasy" but because he believed in the real possibility of such occurrences.