| The Constructivist Moment Contributor(s): Watten, Barrett (Author) |
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ISBN: 0819566101 ISBN-13: 9780819566102 Publisher: Wesleyan University Press OUR PRICE: $28.45 Product Type: Paperback - Other Formats Published: July 2003 Annotation: As one of the founding poets and editors of the Language School of poetry and one of its central theorists, Barrett Watten has consistently challenged the boundaries of literature and art. In The Constructivist Moment, he offers a series of theoretically informed and textually sensitive readings that advance a revisionist account of the avant-garde through the methodologies of cultural studies. His major topics include American modernist and postmodern poetics, Soviet constructivist and post-Soviet literature and art, Fordism and Detroit techno--each proposed as exemplary of the social construction of aesthetic and cultural forms. His book is a full-scale attempt to place the linguistic turn of critical theory and the self-reflexive foregrounding of language by the avant-garde since the Russian Formalists in relation to the cultural politics of postcolonial studies, feminism, and race theory. As such, it will provide a crucial revisionist perspective within modernist and avant-garde studies. |
| Additional Information |
| BISAC Categories: - Literary Criticism | American - General - Literary Criticism | Russian & Former Soviet Union |
| Dewey: 810.91 |
| LCCN: 2003001153 |
| Physical Information: 1.08" H x 6.32" W x 9.2" (1.45 lbs) 364 pages |
| Themes: - Cultural Region - Russia |
| Descriptions, Reviews, Etc. |
| Publisher Description: Provocative cultural readings of avant-garde literature and art. Winner of the American Comparative Literature Association's Rene Wellek Prize (2004) As one of the founding poets and editors of the Language School of poetry and one of its central theorists, Barrett Watten has consistently challenged the boundaries of literature and art. In The Constructivist Moment, he offers a series of theoretically informed and textually sensitive readings that advance a revisionist account of the avant-garde through the methodologies of cultural studies. His major topics include American modernist and postmodern poetics, Soviet constructivist and post-Soviet literature and art, Fordism and Detroit techno--each proposed as exemplary of the social construction of aesthetic and cultural forms. His book is a full-scale attempt to place the linguistic turn of critical theory and the self-reflexive foregrounding of language by the avant-garde since the Russian Formalists in relation to the cultural politics of postcolonial studies, feminism, and race theory. As such, it will provide a crucial revisionist perspective within modernist and avant-garde studies. |