| Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema Contributor(s): Schulte-Sasse, Linda (Author) |
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ISBN: 0822318245 ISBN-13: 9780822318248 Publisher: Duke University Press OUR PRICE: $28.45 Product Type: Paperback - Other Formats Published: October 1996 Annotation: 'Entertaining the Third Reich offers a trenchant approach to Nazi cinema and, in reading the complexities of this specific cinema, it puts a number of important theoretical concepts to the test. Providing new and exciting insights, Schulte-Sasse goes beyond the known cliches about many of these films and offers new takes on the theory.' ---Dana Polan |
| Additional Information |
| BISAC Categories: - Performing Arts | Film - History & Criticism |
| Dewey: 791.436 |
| LCCN: 96-17882 |
| Lexile Measure: 1540 |
| Series: Post-Contemporary Interventions |
| Physical Information: 1.06" H x 6.03" W x 9.27" (1.35 lbs) 368 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: In this persuasive reversal of previous scholarship, Linda Schulte-Sasse takes an unorthodox look at Nazi cinema, examining Nazi films as movies that contain propaganda rather than as propaganda vehicles that happen to be movies. Like other Nazi artistic productions, Nazi film has long been regarded as kitsch rather than art, and therefore unworthy of critical textual analysis. By reading these films as consumer entertainment, Schulte-Sasse reveals the similarities between Nazi commercial film and classical Hollywood cinema and, with this shift in emphasis, demonstrates how Hollywood-style movie formulas frequently compromised Nazi messages. Drawing on theoretical work, particularly that of Lacan and Zizek, Schulte-Sasse shows how films such as Jew S sss and The Great King construct fantasies of social harmony, often through distorted versions of familiar stories from eighteenth-century German literature, history, and philosophy. Schulte-Sasse observes, for example, that Nazi films, with their valorization of bourgeois culture and use of familiar narrative models, display a curious affinity with the world of Enlightenment culture that the politics of National Socialism would seem to contradict. Schulte-Sasse argues that film served National Socialism less because of its ideological homogeneity than because of the appeal and familiarity of its underlying literary paradigms and because the medium itself guarantees a pleasurable illusion of wholeness. Entertaining the Third Reich will be of interest to a wide range of scholars, including those engaged in the study of cinema, popular culture, Nazism and Nazi art, the workings of fascist culture, and the history of modern ideology. |