| The Crux Contributor(s): Gilman, Charlotte Perkins (Author) |
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ISBN: 0822331799 ISBN-13: 9780822331797 Publisher: Duke University Press OUR PRICE: $94.95 Product Type: Hardcover - Other Formats Published: July 2003 Annotation: "What a treat to have another Gilman novel--until now largely ignored--available. We are indebted to Duke University Press for publishing it as a separate piece and to Dana Seitler for her provocative and stimulating introduction. "The Crux" is in many ways a period piece embodying what today seems outmoded and sometimes outrageous views. Oddly, these same views are also startlingly and wickedly relevant today."--Ann J. Lane, author of "To Herland and Beyond: The Life and Work of Charlotte Perkins Gilman " "With reproductive technologies at the center of feminist, medical, and national |
| Additional Information |
| BISAC Categories: - Fiction | Women |
| Dewey: FIC |
| LCCN: 2002155864 |
| Physical Information: 0.7" H x 4.82" W x 10.46" (0.81 lbs) 184 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Long out of print, Charlotte Perkins Gilman's novel The Crux is an important early feminist work that brings to the fore complicated issues of gender, citizenship, eugenics, and frontier nationalism. First published serially in the feminist journal The Forerunner in 1910, The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. The innocent central character, Vivian Lane, falls in love with Morton Elder, who has both gonorrhea and syphilis. The concern of the novel is not so much that Vivian will catch syphilis, but that, if she were to marry and have children with Morton, she would harm the "national stock." The novel was written, in Gilman's words, as a "story . . . for young women to read . . . in order that they may protect themselves and their children to come." What was to be protected was the civic imperative to produce "pureblooded" citizens for a utopian ideal. Dana Seitler's introduction provides historical context, revealing The Crux as an allegory for social and political anxieties--including the rampant insecurities over contagion and disease--in the United States at the beginning of the twentieth century. Seitler highlights the importance of The Crux to understandings of Gilman's body of work specifically and early feminism more generally. She shows how the novel complicates critical history by illustrating the biological argument undergirding Gilman's feminism. Indeed, The Crux demonstrates how popular conceptions of eugenic science were attractive to feminist authors and intellectuals because they suggested that ideologies of national progress and U.S. expansionism depended as much on women and motherhood as on masculine contest. |