| Cupboards of Curiosity: Women, Recollection, and Film History Contributor(s): Hastie, Amelie (Author) |
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ISBN: 0822336871 ISBN-13: 9780822336877 Publisher: Duke University Press OUR PRICE: $25.60 Product Type: Paperback - Other Formats Published: February 2007 Annotation: ""Cupboards of Curiosity "is an enormously significant and important study. Amelie Hastie's reevaluations of female authorship are brilliant, and her approach to the 'archive' encourages just the kind of rethinking of established ideas that one associates with the very best kind of academic work."--Judith Mayne, author of "Framed: Lesbians, Feminists, and Media Culture" "In Amelie Hastie's meditative and original book, the era of silent film speaks through the writings and collections of the women who made the movies--stars, directors, writers--some forgotten, most remembered for their images, not their words. Hastie models her approach to writing and theorizing film history on the novel ways her subjects themselves made history: loving attention to the fleeting and the fragmentary illuminates theories of female agency within mass-mediated modernity."--Patricia White, author of "Uninvited: Classical Hollywood Cinema and Lesbian Representability" |
| Additional Information |
| BISAC Categories: - History - Biography & Autobiography |
| Dewey: B |
| LCCN: 2006020437 |
| Physical Information: 0.6" H x 6.34" W x 9.18" (0.78 lbs) 256 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: In Cupboards of Curiosity Amelie Hastie rethinks female authorship within film history by expanding the historical archive to include dollhouses, scrapbooks, memoirs, cookbooks, and ephemera. Focusing on women who worked during the silent-film era, Hastie reveals how female stars, directors, and others appropriated personal or "domestic" cultural forms not only to publicize their own achievements but also to reflect on specific films and the broader film industry. Whether considering Colleen Moore's thirty-six scrapbooks or Dietrich's eccentric book Marlene Dietrich's ABC, Hastie emphasizes how these women spoke for themselves--as collectors, historians, critics, and experts--often explicitly contemplating the role their writings and material objects would play in subsequent constructions of history. Hastie pays particular attention to the actresses Colleen Moore and Louise Brooks and Hollywood's first female director, Alice Guy-Blaché. From the beginning of her career, Moore worked intently to preserve a lasting place for herself as a Hollywood star, amassing collections of photos, souvenirs, and clippings as well as a dollhouse so elaborate that it drew extensive public attention. Brooks's short essays reveal how she participated in the creation of her image as Lulu and later emerged as a critic of film stardom. The recovery of Blaché's role in film history by feminist critics in the 1970s and 1980s was made possible by the existence of the director's own autobiographical history. Broadening her analytical framework to include contemporary celebrities, Hastie turns to how-to manuals authored by female stars, from Zasu Pitts's cookbook Candy Hits to Christy Turlington's Living Yoga. She discusses how these assertions of celebrity expertise in realms seemingly unrelated to film and visual culture allow fans to prolong their experience of stardom. |