| Punctuation: Art, Politics, and Play Contributor(s): Brody, Jennifer DeVere (Author) |
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ISBN: 0822342359 ISBN-13: 9780822342359 Publisher: Duke University Press OUR PRICE: $25.60 Product Type: Paperback - Other Formats Published: May 2008 Annotation: "Here is a book that earns the right to the spaces between its sumptuously smart words. Here is a book that pays attention to the 'minor' detail of punctuation in ways that percolate with questions pertaining to history, subject formation, ethnicity, racialization, technology, authorship, physiology, philosophy, aesthetic value, the social, the political, and more (to pile up the commas). Lacing her arguments with humor as well as insight, Jennifer DeVere Brody here tracks punctuation's contradictory performances across a number of times and places. She offers close readings of artists and authors who deploy punctuation pointedly in a variety of mediums, amplifying the mark of the mark, the score of the score, the thrust or lean of the emphaticals that prop our points. Here is a book that doubles as a stage upon which the understudied finally gets to strut and fret with an embodied wit, critical grace, and socially relevant verve."--Rebecca Schneider, Brown University |
| Additional Information |
| BISAC Categories: - Language Arts & Disciplines | Linguistics - General |
| Dewey: 428.2 |
| LCCN: 2007043972 |
| Physical Information: 0.56" H x 6.12" W x 9.17" (0.74 lbs) 240 pages |
| Themes: - Sex & Gender - Feminine |
| Descriptions, Reviews, Etc. |
| Publisher Description: In Punctuation: Art, Politics, and Play, Jennifer DeVere Brody places punctuation at center stage. She illuminates the performative aspects of dots, ellipses, hyphens, quotation marks, semicolons, colons, and exclamation points by considering them in relation to aesthetics and experimental art. Through her readings of texts and symbols ranging from style guides to digital art, from emoticons to dance pieces, Brody suggests that instead of always clarifying meaning, punctuation can sometimes open up space for interpretation, enabling writers and visual artists to interrogate and reformulate notions of life, death, art, and identity politics. Brody provides a playful, erudite meditation on punctuation's power to direct discourse and, consequently, to shape human subjectivity. Her analysis ranges from a consideration of typography as a mode for representing black subjectivity in Ralph Ellison's Invisible Man to a reflection on hyphenation and identity politics in light of Strunk and White's prediction that the hyphen would disappear from written English. Ultimately, Brody takes punctuation off the "stage of the page" to examine visual and performance artists' experimentation with non-grammatical punctuation. She looks at different ways that punctuation performs as gesture in dances choreographed by Bill T. Jones, in the hybrid sculpture of Richard Artschwager, in the multimedia works of the Japanese artist Yayoi Kusama, and in Miranda July's film Me and You and Everyone We Know. Brody concludes with a reflection on the future of punctuation in the digital era. |
