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The Woman in the Zoot Suit: Gender, Nationalism, and the Cultural Politics of Memory
Contributor(s): Ramírez, Catherine S. (Author)
ISBN: 0822342863     ISBN-13: 9780822342861
Publisher: Duke University Press
OUR PRICE:   $97.80  
Product Type: Hardcover - Other Formats
Published: January 2009
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: "Powerful and innovative, "The Woman in the Zoot Suit" will serve as a foundational text for future studies on culture, race, gender, and sexuality. Catherine S. Ramirez expertly reveals the complexities of pachuca identity, the extent of Mexican American women zoot suiters' representation in and engagement with popular culture and mainstream media, and, ultimately, the ways that these young women disrupted dominant notions of U.S., Mexican American, and Chicana/o identity, nationalism, and family."--Luis Alvarez, author of "The Power of the Zoot: Youth Culture and Resistance during World War II"
Additional Information
BISAC Categories:
- Social Science | Women's Studies
- Social Science | Ethnic Studies - Hispanic American Studies
- History | United States - State & Local - West (ak, Ca, Co, Hi, Id, Mt, Nv, Ut, Wy)
Dewey: 979.494
LCCN: 2008041777
Physical Information: 0.9" H x 6.3" W x 9.3" (1.10 lbs) 256 pages
Themes:
- Sex & Gender - Feminine
- Ethnic Orientation - Hispanic
- Chronological Period - 1940's
- Ethnic Orientation - Chicano
- Locality - Los Angeles-Long Beach, CA
- Cultural Region - Southern California
- Geographic Orientation - California
- Cultural Region - West Coast
- Chronological Period - 20th Century
 
Descriptions, Reviews, Etc.
Publisher Description:
The Mexican American woman zoot suiter, or pachuca, often wore a V-neck sweater or a long, broad-shouldered coat, a knee-length pleated skirt, fishnet stockings or bobby socks, platform heels or saddle shoes, dark lipstick, and a bouffant. Or she donned the same style of zoot suit that her male counterparts wore. With their striking attire, pachucos and pachucas represented a new generation of Mexican American youth, which arrived on the public scene in the 1940s. Yet while pachucos have often been the subject of literature, visual art, and scholarship, The Woman in the Zoot Suit is the first book focused on pachucas.

Two events in wartime Los Angeles thrust young Mexican American zoot suiters into the media spotlight. In the Sleepy Lagoon incident, a man was murdered during a mass brawl in August 1942. Twenty-two young men, all but one of Mexican descent, were tried and convicted of the crime. In the Zoot Suit Riots of June 1943, white servicemen attacked young zoot suiters, particularly Mexican Americans, throughout Los Angeles. The Chicano movement of the 1960s-1980s cast these events as key moments in the political awakening of Mexican Americans and pachucos as exemplars of Chicano identity, resistance, and style. While pachucas and other Mexican American women figured in the two incidents, they were barely acknowledged in later Chicano movement narratives. Catherine S. Ram rez draws on interviews she conducted with Mexican American women who came of age in Los Angeles in the late 1930s, 1940s, and 1950s as she recovers the neglected stories of pachucas. Investigating their relative absence in scholarly and artistic works, she argues that both wartime U.S. culture and the Chicano movement rejected pachucas because they threatened traditional gender roles. Ram rez reveals how pachucas challenged dominant notions of Mexican American and Chicano identity, how feminists have reinterpreted la pachuca, and how attention to an overlooked figure can disclose much about history making, nationalism, and resistant identities.