| The Sopranos Contributor(s): Polan, Dana (Author) |
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ISBN: 0822344106 ISBN-13: 9780822344100 Publisher: Duke University Press OUR PRICE: $25.60 Product Type: Paperback Published: March 2009 Annotation: "An engaging and lucid account of the influential cultural status that HBO's "The Sopranos" achieved by allowing diverse artistic and commercial interests to profitably converge in the postnetwork era. The book is distinctive in detailing not just how fans and critics animated the series, but also how HBO and the producers carefully crafted an epic narrative that would lead to a profitable ancillary afterlife. Dana Polan proves that close, careful narrative analysis can provide prescient insights about television's increasingly sophisticated practices to which broader cultural and industrial accounts are blind."--John Thornton Caldwell, author of "Production Culture: Industrial Reflexivity and Critical Practice in Film and Television" |
| Additional Information |
| BISAC Categories: - Performing Arts | Television - History & Criticism |
| Dewey: 791.457 |
| LCCN: 2008048039 |
| Series: Spin Offs |
| Physical Information: 0.49" H x 6.48" W x 8.26" (0.61 lbs) 232 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: "In its original run on HBO, The Sopranos mattered, and it matters still," Dana Polan asserts early in this analysis of the hit show, in which he sets out to clarify the impact and importance of the series in both its cultural and media-industry contexts. A renowned film and TV scholar, Polan combines a close and extended reading of the show itself-and of select episodes and scenes-with broader attention to the social landscape with which it is in dialogue. For Polan, The Sopranos is a work of playful irony that complicates simplistic attempts to grasp its meanings and values. The show seductively beckons the viewer into an amoral universe, hinting at ways to make sense of its ethically complicated situations, only to challenge the viewer's complacent grasp of things. It deftly exploits the interplay between art culture and popular culture by mixing elements of art cinema-meandering plots, narrative breaks, and an uncertain progression-with the allure of a soap opera, delving into its characters' sex lives, mob rivalries, and parent-child conflicts. A show about corrupt figures who parasitically try to squeeze illicit profit from the system, The Sopranos itself seems a target of attempts to glom on to its fame as a successful TV series: attempts by media executives, marketers, critics and writers, and even presidential candidates. "Everyone wants a piece of Sopranos action," says Polan, and he traces the marketing of the series across both official and unauthorized media platforms, including cookbooks, games, DVDs, and the kitschy Sopranos bus tour. Critiquing previous books on The Sopranos, Polan suggests that in their quest to find deep meaning, many of the authors missed the show's ironic and comedic side. |