Problem Solving for Oil Painters Contributor(s): Kreutz, Gregg (Author) |
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ISBN: 0823040976 ISBN-13: 9780823040971 Publisher: Watson-Guptill OUR PRICE: $19.76 Product Type: Paperback - Other Formats Published: April 1997 Annotation: This tutorial identifies the most common trouble spots in oil painting and helps artists to correct and avoid those mistakes. |
Additional Information |
BISAC Categories: - Art | Techniques - Oil Painting |
Dewey: 751.45 |
Physical Information: 0.61" H x 8.32" W x 11.03" (1.35 lbs) 144 pages |
Descriptions, Reviews, Etc. |
Publisher Description: Finally - a book to help you solve all your painting problems Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint? |