| The Symbolic Imagination: Coleridge and the Romantic Tradition Contributor(s): Barth, Robert J. (Author) |
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ISBN: 082322113X ISBN-13: 9780823221134 Publisher: Fordham University Press OUR PRICE: $37.05 Product Type: Paperback - Other Formats Published: July 2001 Annotation: The original edition of this book studied the nature of symbol in Coleridges work, showing that it is central to Coleridges intellectual endeavor in poetry and criticism as well as in philosophy and theology. Symbol was for Coleridge essentially a religious reality, that participates in the nature of a sacrament as an encounter between material and spiritual reality. The author shows how Wordsworth and Coleridge developed a poetry, unlike that of the eighteenth century, based on symbolic imagination. He then related this symbolic poetry to the tradition of romanticism itself Richard Harter Fogle wrote of the original edition: This is a just, graceful, and penetrating book. Considering the complexity of the material, it is lucid and often eloquent. Father Barths interpretation of Coleridges doctrine of symbol is essentially original, as are his illustrative readings from the poems. His substantial essay moves harmoniously from Coleridge's particular insights to their wider implications for romanticism. In this new edition, the author has enlarged the scope of his study, first reviewing in an introductory chapter the important scholarship of the past twenty years on symbol and imagination. He then goes on to give his work a deeper theological foundation, and to extend his argument to embrace what he calls Coleridges scriptural imagination. As in the original edition, he concludes that symbol is a phenomenon profoundly linked with the experience of romanticism itself and with a fundamental change in religious sensibility that has echoes even in our own time. |
| Additional Information |
| BISAC Categories: - Literary Criticism | Semiotics & Theory - Literary Criticism | Poetry |
| Dewey: 821.7 |
| LCCN: 2001033031 |
| Series: Studies in Religion and Literature |
| Physical Information: 0.5" H x 5.5" W x 8.4" (0.60 lbs) 176 pages |
| Themes: - Chronological Period - 1800-1850 - Chronological Period - 18th Century - Cultural Region - British Isles |
| Descriptions, Reviews, Etc. |
| Publisher Description: The original edition of this book studied the nature of symbol in Coleridge's work, showing that it is central to Coleridge's intellectual endeavor in poetry and criticism as well as in philosophy and theology. Symbol was for Coleridge essentially a religious reality, that participates in the nature of a sacrament as an encounter between material and spiritual reality. The author shows how Wordsworth and Coleridge developed a poetry, unlike that of the eighteenth century, based on symbolic imagination. He then related this symbolic poetry to the tradition of romanticism itself Richard Harter Fogle wrote of the original edition: This is a just, graceful, and penetrating book. Considering the complexity of the material, it is lucid and often eloquent. Father Barth's interpretation of Coleridge's doctrine of symbol is essentially original, as are his illustrative readings from the poems. His substantial essay moves harmoniously from Coleridge's particular insights to their wider implications for romanticism.In this new edition, the author has enlarged the scope of his study, first reviewing in an introductory chapter the important scholarship of the past twenty years on symbol and imagination. He then goes on to give his work a deeper theological foundation, and to extend his argument to embrace what he calls Coleridge's scriptural imagination.As in the original edition, he concludes that symbol is a phenomenon profoundly linked with the experience of romanticism itself and with a fundamental change in religious sensibility that has echoes even in our own time. |
Contributor Bio(s): Barth, Robert J.: - J. Robert Barth, S.J. is James P. McIntyre Professor of English at Boston College and is author of several books, including Coleridge and Christian Doctrine and co-editor of The Symbolic Imagination: Coleridge and the Romantic Tradition. |
