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Ceramica Y Cultura: The Story of Spanish and Mexican Mayilica
Contributor(s): Gavin, Robin Farwell (Editor), Pierce, Donna (Editor), Pleguezuelo, Alfonso (Editor)
ISBN: 0826331025     ISBN-13: 9780826331021
Publisher: University of New Mexico Press
OUR PRICE:   $17.96  
Product Type: Paperback - Other Formats
Published: August 2003
Qty:
Annotation: Brought to Spain in the thirteenth century by Islamic artisans, the enameled earthenware known as maylica is decorated with a lead glaze to which tin oxide is added to create an opaque white surface. By the fifteenth century, several areas in Spain were well known throughout Europe for the quality of these ceramics, and with Spains expansion into the New World the maylica tradition came into Mexico. There it underwent further changes, notably the use of indigenous design motifs and patterns inspired by Chinese porcelain. Over the next three centuries, the potters of New Spain produced ceramics characterized by a distinctive mestizo aesthetic. This tradition continues today in both Mexico and Spain.

Assembled in connection with a major exhibition at the Museum of International Folk Art in Santa Fe, this book moves discussion of maylica beyond its stylistic merits in order to understand it in historic and cultural context. The contributors, specialists in art and art history, architecture, anthropology, archaeology, and the folk arts, place the ceramics in history and daily life, illustrating their place in trade and economics. Examining both historic and contemporary examples, they also take us into the potters workshops.

Additional Information
BISAC Categories:
- Crafts & Hobbies | Pottery & Ceramics
- Art | History - Ancient & Classical
Dewey: 738.372
LCCN: 2003001150
Physical Information: 1.26" H x 7.94" W x 11.04" (3.70 lbs) 400 pages
Themes:
- Chronological Period - Ancient (To 499 A.D.)
 
Descriptions, Reviews, Etc.
Publisher Description:

Brought to Spain in the thirteenth century by Islamic artisans, the enameled earthenware known as may lica is decorated with a lead glaze to which tin oxide is added to create an opaque white surface. By the fifteenth century, several areas in Spain were well known throughout Europe for the quality of these ceramics, and with Spain's expansion into the New World the may lica tradition came into Mexico. There it underwent further changes, notably the use of indigenous design motifs and patterns inspired by Chinese porcelain. Over the next three centuries, the potters of New Spain produced ceramics characterized by a distinctive mestizo aesthetic. This tradition continues today in both Mexico and Spain.

Assembled in connection with a major exhibition at the Museum of International Folk Art in Santa Fe, this book moves discussion of may lica beyond its stylistic merits in order to understand it in historic and cultural context. The contributors, specialists in art and art history, architecture, anthropology, archaeology, and the folk arts, place the ceramics in history and daily life, illustrating their place in trade and economics. Examining both historic and contemporary examples, they also take us into the potters' workshops.


Contributor Bio(s): Gavin, Robin Farwell: - Robin Farwell Gavin is curator of Spanish Colonial collections at the Museum of International Folk Art in Santa Fe.Pierce, Donna: - Donna Pierce is curator of Spanish Colonial Art in the New World Department of the Denver Art Museum.Pleguezuelo, Alfonso: - Alfonzo Pleguezuelo is professor of art history at the University of Seville.