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Dylan Redeemed
Contributor(s): Webb, Stephen H. (Author)
ISBN: 0826419194     ISBN-13: 9780826419194
Publisher: Continuum
OUR PRICE:   $34.15  
Product Type: Paperback - Other Formats
Published: November 2006
Qty:
Annotation: Although Bob Dylan helped legitimize Christian rock in the late 1970s, even his early music had deeply spiritual undertones. In this work, Webb reevaluates Dylan's early career in light of his later Christian period.
Additional Information
BISAC Categories:
- Biography & Autobiography | Music
- Biography & Autobiography | Religious
Dewey: B
LCCN: 2006022074
Physical Information: 0.49" H x 5.08" W x 7.7" (0.54 lbs) 208 pages
Themes:
- Religious Orientation - Christian
- Sex & Gender - Masculine
- Chronological Period - 20th Century
- Chronological Period - 21st Century
 
Descriptions, Reviews, Etc.
Publisher Description:

Bob Dylan's earth-shattering performance at Newport in 1965 changed the face of rock and roll and the face of folk music forever. Dylan broke the musical equivalent of the sound barrier. He had to teach his audience how to hear sounds that had never before been heard.
Dylan did the same for religion when he converted to Christianity in late 1978. Rock and reilgion have become intertwined in contemporay culture. Does rock gain its power from the decline of religious authority? Is rock a neutral medium that churches can appropriate with little or no danger to spiritual truths? Do rock and religion have the same ancient roots? Or is rock essentially at odds with Christianity? No contemporary musician presents a better test case than Bob Dylan. He played a key role in the fusion of rock and religion when he converted to Christianity.
Dylan was ahead of the contemporary Christian music trend. Although he helped legitimize Christian rock in the late seventies, even his early music had deeply spiritual undertones. From the beginning of his career, Dylan talked about his music in terms of a spiritual calling. He imbued rock with something oracular and otherworldly--a supersonic rendition of the supernatural--which gave popular music enough weight to convey something of the mystery of religious ritual.
Webb focuses on Dylan's religious period in this book, but convincingly shows that this religious period cannot be understood apart from a rereading of his entire career. Webb reevaluates Dylan's early career in light of Dylan's Christian period and shows that Dylan's Christian period was a natural development in his musical and spiritual journey.