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Riffs and Relations: African American Artists and the European Modernist Tradition
Contributor(s): Childs, Adrienne L. (Author), Maurer, Renee (Contribution by), Oliver, Valerie Cassel (Contribution by)
ISBN: 0847866645     ISBN-13: 9780847866649
Publisher: Rizzoli Electa
OUR PRICE:   $45.00  
Product Type: Hardcover
Published: March 2020
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Art | American - African American
- Art | Collections, Catalogs, Exhibitions - General
- Art | Museum Studies
Dewey: 704.089
Physical Information: 0.9" H x 9.7" W x 11.2" (3.15 lbs) 208 pages
Themes:
- Ethnic Orientation - African American
 
Descriptions, Reviews, Etc.
Publisher Description:
A timely consideration of African-American artists' rich engagement with the history of art from the twentieth century, this book is the winner of the James A. Porter and David C. Driskell Book Award for African American Art History.

Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues.