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Inscribing My Name: Selected Poems: New, Used, and Repossessed
Contributor(s): Martin, Herbert Woodward (Author), Snodgrass, W. D. (Foreword by)
ISBN: 0873388763     ISBN-13: 9780873388764
Publisher: Kent State University Press
OUR PRICE:   $16.20  
Product Type: Paperback - Other Formats
Published: November 2006
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: Herbert Woodward Martin's body of poetry from the past five decades is, in many ways, matched by no one else. His many poetic voices range from quiet lyrics to angry protest poems, from groundbreaking counterpoint structures to prize-winning historical narratives. His wide-ranging poetry acts as a barometer of various times and tempers in American literature. His poetry is innovative and balanced and has a special way of working within traditions even as it creates its own unique space. Martin's poetry captures life in the Midwest through the authenticity of his voice, his dramatic sense, and the wonderful innovation of his multidisciplinary talents (poet, scholar, teacher, librettist, and performer). From his first volume of poetry in 1969 to Inscribing My Name, Martin's work brings alive important issues and struggles in our understanding of what it means to be human. This accomplished body of work is a unique combination of traditional poetic forms, the African American musical tradition, and Martin's extensive experience creating and performing theater and opera.
Additional Information
BISAC Categories:
- Poetry | American - African American
Dewey: 811.54
LCCN: 2006016313
Physical Information: 0.65" H x 6.16" W x 8.93" (0.81 lbs) 194 pages
Themes:
- Ethnic Orientation - African American
 
Descriptions, Reviews, Etc.
Publisher Description:

Selected poems from a respected African American poet

Visit our Events page for details about the Kent screening of the new film Jump Back, Honey: The Poetry and Performance of Herbert Woodward Martin.

Herbert Woodward Martin's body of poetry from the past five decades is, in many ways, matched by no one else. His many poetic voices range from quiet lyrics to angry protest poems, from groundbreaking counterpoint structures to prize-winning historical narratives. His wide-ranging poetry acts as a barometer of various times and tempers in American literature. His poetry is innovative and balanced and has a special way of working within traditions even as it creates its own unique space.

Martin's poetry captures life in the Midwest through the authenticity of his voice, his dramatic sense, and the wonderful innovation of his multidisciplinary talents (poet, scholar, teacher, librettist, and performer). From his first volume of poetry in 1969 to Inscribing My Name, Martin's work brings alive important issues and struggles in our understanding of what it means to be human. This accomplished body of work is a unique combination of traditional poetic forms, the African American musical tradition, and Martin's extensive experience creating and performing theater and opera.