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Shakespeare and Chekhov in Production and Reception: Theatrical Events and Their Audiences
Contributor(s): Tulloch, John (Author)
ISBN: 0877459266     ISBN-13: 9780877459262
Publisher: University of Iowa Press
OUR PRICE:   $38.95  
Product Type: Hardcover
Published: March 2005
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Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: With a focus on the canonical institutions of Shakespeare and Chekhov, John Tulloch brings together for the first time new concepts of "the theatrical event" with live audience analysis. Using mainstream theatre productions from across the globe that were highly successful according to both critics and audiences, this book of case studies--"ethnographies of production and reception--"offers a combined cultural and media studies approach to analyzing theatre history, production, and audience. Tulloch positions these concepts and methodologies within a broader current theatrical debate between postmodernity and risk modernity. He also describes the continuing history of Shakespeare and Chekhov as a series of stories "currently and locally told" in the context of a blurring of academic genres that frames the two writers. Drawn from research conducted over nearly a decade in Australia, Britain, and the U.S., "Shakespeare and Chekhov in Production and Reception will be of interest to students and scholars of theatre studies, media studies, and audience research.
Additional Information
BISAC Categories:
- Performing Arts | Theater - History & Criticism
- Literary Criticism | Drama
- Drama
Dewey: 792.95
LCCN: 2004058012
Series: Studies in Theatre History & Culture
Physical Information: 1.02" H x 6.36" W x 9.58" (1.30 lbs) 328 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
With a focus on the canonical institutions of Shakespeare and Chekhov, John Tulloch brings together for the first time new concepts of the theatrical event with live audience analysis. Using mainstream theatre productions from across the globe that were highly successful according to both critics and audiences, this book of case studies--ethnographies of production and reception--offers a combined cultural and media studies approach to analyzing theatre history, production, and audience. Tulloch positions these concepts and methodologies within a broader current theatrical debate between postmodernity and risk modernity. He also describes the continuing history of Shakespeare and Chekhov as a series of stories currently and locally told in the context of a blurring of academic genres that frames the two writers. Drawn from research conducted over nearly a decade in Australia, Britain, and the U.S., Shakespeare and Chekhov in Production and Reception will be of interest to students and scholars of theatre studies, media studies, and audience research.