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Music in the Georgian Novel
Contributor(s): DuBois, Pierre (Author)
ISBN: 1107519411     ISBN-13: 9781107519411
Publisher: Cambridge University Press
OUR PRICE:   $44.64  
Product Type: Paperback - Other Formats
Published: April 2018
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Additional Information
BISAC Categories:
- Music
Physical Information: 0.78" H x 6.69" W x 9.61" (1.32 lbs) 376 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Music was an essential aspect of life in eighteenth-century Britain and plays a crucial role in the literary strategies of Georgian novels. This book is the first to investigate the literary representation of music in these works and explores the structural, dramatic and metaphorical roles of music in novels by authors ranging from Richardson to Austen. Pierre Dubois explores the meaning of 'musical scenes' by framing them within contemporary cultural issues, such as the critique of Italian opera or the theoretical shift from mimesis to the alleged autonomy and mystery of music. Focusing upon both eighteenth-century theories of music, and the way specific musical instruments were perceived in the collective imagination, Dubois suggests new interpretative perspectives for a whole range of novels of the Georgian era. This book will be of interest to a wide readership interested not only in literature, but also in music and cultural history at large.

Contributor Bio(s): DuBois, Pierre: - Pierre Dubois is Emeritus Professor of eighteenth-century English studies at Universit� de Tours. He was Senior Lecturer at Paris-Sorbonne (Paris IV) from 1997 to 2008 and in 2012 he was a visiting fellow of Sidney Sussex College, Cambridge. The editor of Charles Avison's �ssay on Musical Expression' and Related Writings by Charles Avison and William Hayes (2004), his 2009 book La conqu�te du myst�re musical en Angleterre au si�cle des Lumi�res was awarded the 2010 Research Prize of the French Societ� des Anglicistes de l'Enseignement Sup�rieur (SAES). A self-taught musician, he is the incumbent organist of the historic F.-H. Clicquot organ (1783) of Souvigny (Allier, France) and artistic director of the Journ�es Musicales d'Automne there. He is also chairman of Sauvegarde de l'Orgue de la Sorbonne, an association he founded for the preservation, restoration and promotion of the historic Dallery organ (1825) of the Sorbonne.