| Music in Roman Comedy Contributor(s): Moore, Timothy J. (Author) |
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ISBN: 110753528X ISBN-13: 9781107535282 Publisher: Cambridge University Press OUR PRICE: $49.39 Product Type: Paperback - Other Formats Published: September 2016 |
| Additional Information |
| BISAC Categories: - Literary Collections | Ancient, Classical & Medieval - Music | Instruction & Study - Theory - History | Ancient - General |
| Dewey: 781.552 |
| Physical Information: 0.95" H x 6" W x 9" (1.37 lbs) 470 pages |
| Themes: - Chronological Period - Ancient (To 499 A.D.) |
| Descriptions, Reviews, Etc. |
| Publisher Description: The plays of Plautus and Terence were profoundly musical: large portions of all the plays were sung to accompaniment, and variations in melody, rhythm and dance were essential elements in bringing both pleasure and meaning to their performance. This book explains the nature of Roman comedy's music: the accompanying tibia, the style of vocal performance, the importance of dance, characteristics of melody, the relationship between meter and rhythm, and the effects of different meters and of variations within individual verses. It provides musical analyses of songs, scenes and whole plays and draws analogies between Roman comedy's music and the music of modern opera, film and musical theatre. The book will change our understanding of the nature of Roman comedy and will be of interest to students of ancient theatre and Latin literature, scholars and students working on the history of music and theatre and performers working with ancient plays. |
Contributor Bio(s): Moore, Timothy J.: - Timothy J. Moore is John and Penelope Biggs Distinguished Professor of Classics at Washington University, St Louis. He is author of Artistry and Ideology: Livy's Vocabulary of Virtue (1989), The Theater of Plautus: Playing to the Audience (1998), a translation of Terence's Phormio and numerous articles on Livy, Tibullus, Roman comedy, Petronius, ancient music and Japanese kyogen comedy. He has produced a website in which he sings songs of Plautus in their original rhythms (http: //uts.cc.utexas.edu/ timmoore/Recordings%20of%20Plautus/MoorePlautusRecordings.html). He has lectured widely in North America, Europe and China on topics including music archaeology, Western and Japanese comedy, Greek and Roman music, and analogies between Roman and American musical comedies. He also has extensive experience as a singer and as a performer in musical theatre. He has received fellowships from the Alexander von Humboldt Foundation, the American Academy in Rome and the Loeb Classical Library Foundation, and a Mellon Faculty Fellowship at Harvard University, Massachusetts. |
