| Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea Contributor(s): Boss, Jack (Author) |
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ISBN: 1107624924 ISBN-13: 9781107624924 Publisher: Cambridge University Press OUR PRICE: $37.99 Product Type: Paperback - Other Formats Published: July 2016 |
| Additional Information |
| BISAC Categories: - Music | History & Criticism - General - Music | Genres & Styles - Opera |
| Series: Music Since 1900 |
| Physical Information: 0.94" H x 6.69" W x 9.61" (1.62 lbs) 466 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer. |
Contributor Bio(s): Boss, Jack: - Jack Boss is Associate Professor of Music at the University of Oregon. His research interests centre around large-scale coherence in Schoenberg's music, and he has published numerous articles relating to that topic in journals such as Journal of Music Theory, Music Theory Spectrum, Perspectives of New Music and Music Theory Online. He has co-edited two collections of music-analytic essays: Musical Currents from the Left and Analyzing the Music of Living Composers (and Others). |