| Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice Contributor(s): Hatter, Jane D. (Author) |
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ISBN: 1108474918 ISBN-13: 9781108474917 Publisher: Cambridge University Press OUR PRICE: $114.00 Product Type: Hardcover - Other Formats Published: June 2019 |
| Additional Information |
| BISAC Categories: - Music | History & Criticism - General |
| Dewey: 780.903 |
| LCCN: 2018052017 |
| Series: Music in Context |
| Physical Information: 0.7" H x 8.4" W x 9.9" (1.60 lbs) 298 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450-1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers. |
Contributor Bio(s): Hatter, Jane D.: - Jane D. Hatter is an assistant professor of musicology at the University of Utah. Her research delves into the musical communities that developed around fifteenth- and sixteenth-century music, including musical self-reference and intersections between music and the visual arts. Her examination of musical time and sexuality in early sixteenth-century Italian paintings is one of the five most read articles in the Oxford journal Early Music. |
