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Stravinsky and the Russian Period: Sound and Legacy of a Musical Idiom
Contributor(s): Van Den Toorn, Pieter C. (Author), McGinness, John (Author)
ISBN: 1139108107     ISBN-13: 9781139108102
Publisher: Cambridge University Press
OUR PRICE:   $140.25  
Product Type: Open Ebook - Other Formats
Published: July 2014
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Music | History & Criticism - General
Dewey: 780.92
Series: Music Since 1900
 
Descriptions, Reviews, Etc.
Publisher Description:
Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music.

Contributor Bio(s): Van Den Toorn, Pieter C.: - Pieter C. van den Toorn is Professor of Music at the University of California, Santa Barbara. He is the author of The Music of Igor Stravinsky (1983), Stravinsky and The Rite of Spring (1987) and Music, Politics, and the Academy (1995). Stravinsky and The Rite of Spring won the Deems Taylor Award (1989) and the Outstanding Publication Award of the Society for Music Theory (1990).McGinness, John: - John McGinness is an Associate Professor of Music Theory at the Crane School of Music, State University of New York, Potsdam. His essays and articles on topics including the music of Debussy, Stravinsky and Ives have appeared in Musical Quarterly, Music Theory Spectrum and Cahiers Debussy, among other publications. As a pianist specializing in contemporary music, he has premiered over twenty-five new works and has recorded for CRS and Radio Nederland.