| The Methuen Drama Book of 21st Century British Plays Contributor(s): Penhall, Joe (Author), Kwei-Armah, Kwame (Author), Neilson, Anthony (Author) |
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ISBN: 1408123916 ISBN-13: 9781408123911 Publisher: Bloomsbury Publishing PLC OUR PRICE: $38.90 Product Type: Paperback Published: May 2010 |
| Additional Information |
| BISAC Categories: - Drama | Anthologies (multiple Authors) - Drama | European - English, Irish, Scottish, Welsh |
| Dewey: 822.920 |
| LCCN: 2010398876 |
| Series: Methuen Drama Modern Plays |
| Physical Information: 1.3" H x 5.1" W x 7.7" (0.80 lbs) 464 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: The Methuen Drama Book of 21st Century British Plays showcases five of the best new plays from the first decade of the twenty-first century. A perfect reminder of the relevance, vitality and innovation of British theatre, this collection represents some of the most exciting plays to emerge in recent years. Joe Penhall's multi-award-winning Blue/Orange was heralded as 'one of the best new plays in the National's history' (Sunday Times). Set in a mental hospital it provides a riveting exploration of racism, health and power, and was the winner of the Olivier Award for Best New Play 2001. Elmina's Kitchen by Kwame Kwei-Armah, about gun crime and the struggle to make a living on Hackney's Murder Mile, marked the emergence of a major new writing talent. 'An exquisite tragi-comedy for our times' (Herald) Neilson's Realism dramatises the everyday life and increasingly bizarre fantasies and thoughts of its protagonist with comic zeal and inspired inventiveness. Gone Too Far explores a London community divided by race and prejudice. The first play to be written about the London 7/7 terrorist bombings, Simon Stephens' Pornography tells seven entwining stories of people's lives during the day leading up to the catastrophic event. |
Contributor Bio(s): Stephens, Simon: - Simon Stephens began his theatrical career in the literary department of the Royal Court Theatre, where he ran its Young Writers' Programme. His plays for theatre include Bluebird (Royal Court Theatre, London, 1998, directed by Gordon Anderson); Herons (Royal Court Theatre, 2001); Port (Royal Exchange Theatre, Manchester, 2002); One Minute (Crucible Theatre, Sheffield, 2003 and Bush Theatre, London, 2004); Christmas (Bush Theatre, 2004); Country Music (Royal Court Theatre Upstairs, 2004); On the Shore of the Wide World (Royal Exchange Theatre and National Theatre, London, 2005); Motortown (Royal Court Theatre Downstairs, 2006); Pornography (Deutsches Schauspielhaus, Hanover, 2007; Edinburgh Festival/Birmingham Rep, 2008 and Tricycle Theatre, London, 2009); Harper Regan (National Theatre, 2008); Sea Wall (Bush Theatre, 2008/Traverse Theatre, Edinburgh, 2009); Heaven (Traverse Theatre, 2009); Punk Rock (Lyric Hammersmith, London, and Royal Exchange Theatre, 2009); The Trial of Ubu (Essen Schauspielhaus/Toneelgroep Amsterdam, 2010); A Thousand Stars Explode in the Sky (co-written with David Eldridge and Robert Holman; Lyric Hammersmith, London, 2010); Marine Parade (co-written with Mark Eitzel; Brighton International Festival, 2010); T5 (Traverse Theatre, 2010); Wastwater (Royal Court Theatre Downstairs, 2011); Morning (Lyric Hammersmith, 2012); an adaptation of A Doll's House (Young Vic, 2012); an adaptation of The Curious Incident of the Dog in the Night-Time (National Theatre, 2012); Blindsided (Royal Exchange, 2014); and Birdland (Royal Court, 2014). His radio plays include Five Letters Home to Elizabeth (BBC Radio 4, 2001) and Digging (BBC Radio 4, 2003). His screenwriting includes an adaptation of Motortown for Film4 (2009); the two-part serial Dive (with Dominic Savage) for Granada/BBC (2009); and a short film adaptation of Pornography for Channel 4's 'Coming Up' series (2009). Awards include the Pearson Award for Best New Play, 2001, for Port; Olivier Award for Best New Play for On the Shore of the Wide World, 2005; and for Motortown German critics in Theater Heute's annual poll voted him Best Foreign Playwright, 2007. |