Introducing Cultural Studies: Learning Through Practice Contributor(s): Walton, David (Author) |
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ISBN: 1412918952 ISBN-13: 9781412918954 Publisher: Sage Publications Ltd OUR PRICE: $66.33 Product Type: Paperback - Other Formats Published: July 2007 Annotation: An introduction to the practice of cultural studies, this book is ideal for undergraduate courses. The fundamental task facing students of cultural studies is the application of theory into critical practice, and this book offers its readers the conceptual tools to practice cultural analysis for themselves. This book: " Links key concepts to the key theorists of cultural studies " Includes a wide range of references of popular cultural forms " Emphasizes the multidisciplinary nature of cultural studies " Includes pedagogical features, such as dialogues, graphs, images and recommended readings. The book's skills-based approach enables students to develop their creative skills, and shows students how to improve their powers of analysis generally. |
Additional Information |
BISAC Categories: - Social Science | Anthropology - Cultural & Social |
Dewey: 306.071 |
Physical Information: 0.74" H x 7.4" W x 9.08" (1.31 lbs) 336 pages |
Descriptions, Reviews, Etc. |
Publisher Description: The fundamental task facing students of cultural studies is to apply theory to critical practice. Introducing Cultural Studies: Learning through Practice provides readers with the conceptual tools to practice cultural analysis for themselves. Further, readers will:
This book, by combining heuristic thinking with creative-critical approaches, provides undergraduates with an assured, witty, engaging and essential introduction to cultural studies. David Walton is affiliated with the Universidad de Murcia, and is Senior Lecturer in Cultural Studies. To listen to David Walton's musical response to Adorno′s famous essay on jazz, please visit Adorno: Jazz Perennial Fashion . This song accompanies pages 64 to 66 of the book together with a series of questions designed to get readers to evaluate the positive and negative aspects of Adorno′s approach. |
Contributor Bio(s): Walton, David: - David Walton has a degree in English Literature (University of Wales 1985) an M.Phil (University of Oxford 1987), a Certificate in Education (University of Greenwich, London 1988), and a TEFL qualification (University of Aston, Birmingham 1987). He was awarded his doctorate in 1992 by the University of Murcia. He began his teaching career in further education in Britain before being contracted as an associate lecturer in the English Department of the University of Murcia in 1989. He became Senior Lecturer in the area of Cultural Studies in 2001 and has promoted the area in Spain for more than ten years. He is one of the founder members of the Culture and Power group which has organized annual conferences in Spain and Portugal every year since 1995 and has contributed to most of the publications to come out of these conferences. He is a founder member and President of the Iberian Association of Cultural Studies (IBACS). He has co-organized conferences on English-speaking cultures and co-organized two International Conferences on cultural studies for IBACS, both held at the Universidad de Murcia. Apart from his undergraduate teaching, he has taught audiovisual translation at M.A. level and has given doctorate courses on the construction of national identity and given many conference papers. He currently teaches cultural studies at undergraduate level and postmodern theory and culture at M.A. level. He has published widely, his publications reflecting his research interests which include literary and cultural theory, cultural studies, popular culture, visual culture and postmodern theories of culture. His latest books are 'Introducing Cultural Studies: Learning Through Practice' (SAGE, 2008) and 'Doing Cultural Theory' (SAGE, 2012). He has a chapter on Chris Morris' satire which will appear in 'No Known Cure: The Comedy of Chris Morris' (edited by James Leggott & Jamie Sexton (Palgrave Macmilan, 2003), and has a number of other chapters which are in print on the interfaces between philosophy and cultural studies and graffiti and popular culture. |