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The Feminine Ethos in C. S. Lewisʼs Chronicles of Narnia: Preface by Elizabeth Baird Hardy
Contributor(s): Radell, Karen Marguerite (Other), Hilder, Monika (Author)
ISBN: 1433118173     ISBN-13: 9781433118173
Publisher: Peter Lang Inc., International Academic Publi
OUR PRICE:   $100.09  
Product Type: Hardcover - Other Formats
Published: August 2012
Qty:
Additional Information
BISAC Categories:
- Literary Criticism | English, Irish, Scottish, Welsh
- Foreign Language Study | English As A Second Language
- Literary Criticism | Children's & Young Adult Literature
Dewey: 823.912
LCCN: 2012023818
Series: Studies in Twentieth-Century British Literature
Physical Information: 0.7" H x 5.9" W x 8.9" (0.95 lbs) 206 pages
Themes:
- Cultural Region - British Isles
- Religious Orientation - Christian
- Sex & Gender - Feminine
 
Descriptions, Reviews, Etc.
Publisher Description:
C. S. Lewis, fantasy novelist, literary scholar, and Christian apologist, is one of the most original and well-known literary figures of the twentieth century. As one who stood at the crossroads of Edwardian and modern thinking, he is often read as a sexist or even misogynistic man of his time, but this fresh rereading assesses Lewis as a prescient thinker who transformed typical Western gender paradigms. The Feminine Ethos in C. S. Lewis's 'Chronicles of Narnia' proposes that Lewis's highly nuanced metaphorical view of gender relations has been misunderstood precisely because it challenges Western chauvinist assumptions on sex and gender. Instead of perpetuating sexism, Lewis subverts the culturally inherited chauvinism of masculine classical heroism with the biblically inspired vision of a surprisingly feminine spiritual heroism. His view that we are all feminine in relation to the masculine God - a theological feminism that crosses gender lines - means that qualities we tend to consider to be feminine, such as humility, are the qualities essential to being fully human. This book's theoretical framework is Lewis's own, grounded in his view of biblical thinking, as he was informed by writers such as Milton, Wordsworth, and George MacDonald, and in terms of the uniquely progressive implications for twentieth-first century cultural studies. This highly insightful and entertaining study of theological feminism in Lewis's Chronicles of Narnia will be compelling for anyone interested in children's and fantasy literature, Inklings scholarship, gender discourse, ethical and spiritual discourse, literature and theology, and cultural studies in general.