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Motherhood Misconceived: Representing the Maternal in U.S. Films
Contributor(s): Addison, Heather (Editor), Goodwin-Kelly, Mary Kate (Editor), Roth, Elaine (Editor)
ISBN: 143842812X     ISBN-13: 9781438428123
Publisher: State University of New York Press
OUR PRICE:   $33.20  
Product Type: Paperback - Other Formats
Published: October 2009
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: As celebrities sporting "baby bumps," politicians, Olympic athletes, and talk show guests, mothers are ubiquitous throughout U.S. media and popular culture. Like lightning rods, these high-profile mothers attract accolades and judgments associated with ideals of female sexuality, gender roles, and constructions of contemporary families. Motherhood Misconceived looks at this widespread cultural fascination with motherhood through analyses of mothers in contemporary U.S. film, including both mainstream and independent cinematic representations. Films explored include Fargo; Transamerica; Gas, Food, Lodging; Ordinary People; and Scream.
Additional Information
BISAC Categories:
- Performing Arts | Film - History & Criticism
- Social Science | Women's Studies
- Social Science | Sociology - Marriage & Family
Dewey: 302.234
LCCN: 2008054157
Physical Information: 0.9" H x 5.9" W x 8.9" (0.90 lbs) 277 pages
Themes:
- Topical - Family
- Sex & Gender - Feminine
 
Descriptions, Reviews, Etc.
Publisher Description:
As celebrities sporting baby bumps, politicians, Olympic athletes, and talk show guests, mothers are ubiquitous throughout U.S. media and popular culture. Like lightning rods, these high-profile mothers attract accolades and judgments associated with ideals of female sexuality, gender roles, and constructions of contemporary families. Motherhood Misconceived explores this widespread cultural fascination with motherhood through analyses of mothers in contemporary U.S. film, including both mainstream and independent cinematic representations. The contributors draw on a variety of critical approaches to consider the spectacle of pregnancy; mother-daughter relationships; mothers as predators, narcissists, and absent victims; and the ways in which cultural anxieties are displaced and projected onto marginalized mothers in films such as Fargo; Transamerica; Gas, Food, Lodging; Ordinary People; and Scream. Ideal for women's studies or film studies classes, Motherhood Misconceived will help students contextualize current debates about motherhood as they play out in popular and independent film.