Motherhood Misconceived: Representing the Maternal in U.S. Films Contributor(s): Addison, Heather (Editor), Goodwin-Kelly, Mary Kate (Editor), Roth, Elaine (Editor) |
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ISBN: 143842812X ISBN-13: 9781438428123 Publisher: State University of New York Press OUR PRICE: $33.20 Product Type: Paperback - Other Formats Published: October 2009 Annotation: As celebrities sporting "baby bumps," politicians, Olympic athletes, and talk show guests, mothers are ubiquitous throughout U.S. media and popular culture. Like lightning rods, these high-profile mothers attract accolades and judgments associated with ideals of female sexuality, gender roles, and constructions of contemporary families. Motherhood Misconceived looks at this widespread cultural fascination with motherhood through analyses of mothers in contemporary U.S. film, including both mainstream and independent cinematic representations. Films explored include Fargo; Transamerica; Gas, Food, Lodging; Ordinary People; and Scream. |
Additional Information |
BISAC Categories: - Performing Arts | Film - History & Criticism - Social Science | Women's Studies - Social Science | Sociology - Marriage & Family |
Dewey: 302.234 |
LCCN: 2008054157 |
Physical Information: 0.9" H x 5.9" W x 8.9" (0.90 lbs) 277 pages |
Themes: - Topical - Family - Sex & Gender - Feminine |
Descriptions, Reviews, Etc. |
Publisher Description: As celebrities sporting baby bumps, politicians, Olympic athletes, and talk show guests, mothers are ubiquitous throughout U.S. media and popular culture. Like lightning rods, these high-profile mothers attract accolades and judgments associated with ideals of female sexuality, gender roles, and constructions of contemporary families. Motherhood Misconceived explores this widespread cultural fascination with motherhood through analyses of mothers in contemporary U.S. film, including both mainstream and independent cinematic representations. The contributors draw on a variety of critical approaches to consider the spectacle of pregnancy; mother-daughter relationships; mothers as predators, narcissists, and absent victims; and the ways in which cultural anxieties are displaced and projected onto marginalized mothers in films such as Fargo; Transamerica; Gas, Food, Lodging; Ordinary People; and Scream. Ideal for women's studies or film studies classes, Motherhood Misconceived will help students contextualize current debates about motherhood as they play out in popular and independent film. |